ACT FIRST. [A spacious garden-room, with one door to the left, and two doors to the right. In the middle of the room a round table, with chairs about it. On the table lie books, periodicals, and newspapers. In the foreground to the left a window, and by it a small sofa, with a worktable in front of it. In the background, the room is continued into a somewhat narrower conservatory, the walls of which... more...

E Americans devour eagerly any piece of writing that purports to tell us the secret of success in life; yet how often we are disappointed to find nothing but commonplace statements, or receipts that we know by heart but never follow. Most of the life stories of our famous and successful men fail to inspire because they lack the human element that makes the record real and brings the story within our... more...

PREFACE As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a... more...

JAMES NELSON BARKER (1784-1858) In a letter written to William Dunlap, from Philadelphia, on June 10, 1832, James Nelson Barker very naïvely and very fully outlined his career, inasmuch as he had been informed by Manager Wood that Mr. Dunlap wished such an account for his "History of the American Stage." From this account, we learn that whatever dramatic ability Mr. Barker possessed came from... more...

John-ny Wil-son and Ned Brown were play-ing at ball one day, and the ball hit John on the hand: he was ve-ry an-gry, and ran af-ter Ned and beat him ve-ry hard. Just then, a man came by and gave John a box on the ear which made him let go of Ned, and he be-gan to cry. Then the man said, “You beat that lit-tle boy and for-get how you hurt him, but you do not like it your-self." Then John was... more...

FOREWORD To one who has been an eye-witness of the wonderful achievements of American medical science in the conquest of acute communicable and pestilential diseases in those regions of the earth where they were supposed to be impregnably entrenched, there is the strongest possible appeal in the present rapidly growing movement for the improvement of physical efficiency and the conquest of chronic... more...

CHAPTER I. FALLING IN LOVE. [Illustration: LILLIE.] "Who is that beautiful creature?" said John Seymour, as a light, sylph-like form tripped up the steps of the veranda of the hotel where he was lounging away his summer vacation. "That! Why, don't you know, man? That is the celebrated, the divine Lillie Ellis, the most adroit 'fisher of men' that has been seen in our... more...

ACT I The scene is the managing clerk's room, at the offices of Jamesand Walter How, on a July morning. The room is old fashioned,furnished with well-worn mahogany and leather, and lined withtin boxes and estate plans. It has three doors. Two of themare close together in the centre of a wall. One of these twodoors leads to the outer office, which is only divided from themanaging clerk's room... more...

REMARKS. This tragedy has been so rapturously applauded on the stage, and so severely criticised in the closet, that it is a task of peculiar difficulty to speak either of its beauties or its defects, with any degree of certainty. To conciliate both the auditor and the reader, both the favourable and the unfavourable critic, the "Grecian Daughter" demands a set of Remarks for each side of the... more...

SIR, Your acquaintance with the Author before his death was not long, which I have oft heard you say, you counted your great unhappinesse, but within a short time after, you knew not well whether to count your selfe more happie in that you once knew him, or unhappy in that upon your acquaintance you so suddenly lost him. This his worke then being to come forth to the censorious eye of the world, and as... more...