PREFACE This little work contains the chief ideas gathered together for a course of lectures on the theory and history of aesthetics given at Harvard College from 1892 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity... more...

THE OLD YEAR being dead, and the NEW YEAR coming of age, wh: he does by Calendar Law, as soon as the breath is out of the old gentleman’s body, nothing would serve the young spark but he must give a dinner upon the occasion, to wh: all the Days in the year were invited. The Festivals, whom he deputed as his stewards, were mightily taken with the notion. They had been engaged time out of mind, they... more...

CHAPTER I The Princess opened her eyes at the sound of her maid's approach. She turned her head impatiently toward the door. "Annette," she said coldly, "did you misunderstand me? Did I not say that I was on no account to be disturbed this afternoon?" Annette was the picture of despair. Eyebrows and hands betrayed alike both her agitation of mind and her nationality.... more...

CHAPTER I. LANDLORD'S DAUGHTER AND TENANT'S SON. In a kitchen of moderate size, flagged with slate, humble in its appointments, yet looking scarcely that of a farmhouse—for there were utensils about it indicating necessities more artificial than usually grow upon a farm—with the corner of a white deal table between them, sat two young people evidently different in rank, and meeting upon... more...

CHAPTER I THE OUTER DEVELOPMENT OF THE MOVING PICTURES It is arbitrary to say where the development of the moving pictures began and it is impossible to foresee where it will lead. What invention marked the beginning? Was it the first device to introduce movement into the pictures on a screen? Or did the development begin with the first photographing of various phases of moving objects? Or did it start... more...

THE OUPHE OF THE WOOD "An Ouphe!" perhaps you exclaim, "and pray what might that be?" An Ouphe, fair questioner,—though you may never have heard of him,—was a creature well known (by hearsay, at least) to your great-great-grandmother. It was currently reported that every forest had one within its precincts, who ruled over the woodmen, and exacted tribute from them in the shape of... more...

ACT IV SCENE I.   Cyprus.  Before the Castle. [Enter Othello and Iago.]IAGOWill you think so? OTHELLO                              Think so, Iago? IAGO                                                         What,To kiss in private? OTHELLO                               An unauthoriz'd... more...

CHAPTER I RUSSELL AUBREY The town-clock was on the last stroke of twelve, the solitary candle measured but two inches from its socket, and as the summer wind rushed through the half-closed shutters, the melted tallow dripped slowly into the brightly-burnished brazen candlestick. The flickering light fell upon the pages of a ledger, and flashed fitfully in the face of the accountant, as he bent over his... more...

CHAPTER I. THE YOUNG RIVALS. The main schoolroom in the Millville Academy was brilliantly lighted, and the various desks were occupied by boys and girls of different ages from ten to eighteen, all busily writing under the general direction of Professor George W. Granville, Instructor in Plain and Ornamental Penmanship. Professor Granville, as he styled himself, was a traveling teacher, and generally... more...

CHAPTER I. SONG. I confess I was a little dismayed to find what a solemn turn the club-stories had taken. But this dismay lasted for a moment only; for I saw that Adela was deeply interested, again wearing the look that indicates abstracted thought and feeling. I said to myself: "This is very different mental fare from what you have been used to, Adela." But she seemed able to mark, learn, and... more...