RELIGIOUS POEMS THE STAR OF BETHLEHEM Where Time the measure of his hoursBy changeful bud and blossom keeps,And, like a young bride crowned with flowers,Fair Shiraz in her garden sleeps; Where, to her poet's turban stone,The Spring her gift of flowers imparts,Less sweet than those his thoughts have sownIn the warm soil of Persian hearts: There sat the stranger, where the shadeOf scattered... more...

CHAPTER I In the midst of our work at a base camp, there came a sudden call to go "up the line" to the great battle front. Leaving the railway, we took a motor and pressed on over the solidly paved roads of France, which are now pulsing arteries of traffic, crowded with trains of motor transports pouring in their steady stream of supplies for the men and munitions for the guns. Now we turn out... more...

CHAPTER I MR. WRENN IS LONELY The ticket-taker of the Nickelorion Moving-Picture Show is a public personage, who stands out on Fourteenth Street, New York, wearing a gorgeous light-blue coat of numerous brass buttons. He nods to all the patrons, and his nod is the most cordial in town. Mr. Wrenn used to trot down to Fourteenth Street, passing ever so many other shows, just to get that cordial nod,... more...

THE LAST ORACLE (A.D. 361)Years have risen and fallen in darkness or in twilight,   Ages waxed and waned that knew not thee nor thine,While the world sought light by night and sought not thy light,   Since the sad last pilgrim left thy dark mid shrine.Dark the shrine and dumb the fount of song thence welling,   Save for words more sad than tears of blood, that said: Tell the king, on earth has... more...

RENAISSANCE PANELS FROM PERUGIA. The carved walnut panels from the choir stalls of the Church of San Pietro de' Casinense in Perugia, designed by Stefano da Bergamo in 1535, which are given as illustrations in this number, are excellent examples of the ornament of the later period of the Italian Renaissance. This form of ornament was first used in flat painted panels upon pilasters, such as the... more...

PREFACE. I would ask those readers who have grown up, and who may be disposed to find fault with this book, on the ground that in so many points it is incomplete, or that much is so elementary or well known, to remember that the lectures were meant for juveniles, and for juveniles only. These latter I would urge to do their best to repeat the experiments described. They will find that in many cases no... more...

CAIN'S BRAND I.—ON THE MOOR. CAIN'S BRAND! that is no fact of the far past, no legend of the Middle Ages, for are there not Cains among us; white-faced, haggard-featured Cains to the last? Men who began with a little injury, and did not dream that their gripe would close in deadly persecution? Cains who slew the spirit, and through the spirit murdered the body? Cains unintentionally, whom... more...

CHAPTER I. THE ENGLISH MISUNDERSTANDING. Whatever may be the ultimate verdict of history upon the long struggle of the majority of the Irish people for self-government, the picture of a small country with large aspirations giving of its best unstintingly to the world, while gaining for itself little beyond sympathy, will appeal to the imagination of future ages long after the Irish Question, as we know... more...

HARDY ORNAMENTALFLOWERING TREES & SHRUBS.   ABELIA. ABELIA CHINENSIS (syn A. rupestris).—The Rock Abelia China, 1844. This is a neat, twiggy shrub, growing from 2 ft. to 3 ft. high, with slender shoots, and very pleasing, shining green serrated leaves. The tubular, sweet-scented flowers are produced in clusters at the ends of the shoots, even the smallest, and are of a very delicate shade of... more...

INTRODUCTION. The work now for the first time reprinted from Caxton’s original edition has been preserved in three copies. One of these is in the Library of Ripon Cathedral, another in the Spencer Library, now at Manchester, and the third at Bamborough Castle. A small fragment, consisting of pp. 17-18 and 27-28, is in the Bodleian Library. The text of the present edition is taken from the Ripon copy.... more...