Emily Sarah Holt

Emily Sarah Holt
Emily Sarah Holt (1836-1893) was a prolific English novelist known for her historical fiction, particularly focusing on the Tudor period. Her works often blended romance with detailed historical accuracy, appealing to a wide audience fascinated by the Renaissance era. Holt's novels were noted for their strong female protagonists and vivid portrayal of English society during pivotal historical moments.

Author's Books:

Showing: 1-10 results of 19

Choosing a new gown. “Give you good den, Master Clere!” said a rosy-faced countrywoman with a basket on her arm, as she came into one of the largest clothier’s shops in Colchester. It was an odd way of saying “Good Evening,” but this was the way in which they said it in 1556. The rosy-faced woman set down her basket on the counter, and looked round the shop in the leisurely way of somebody... more...

Preface. The historical portion of this tale has been partially narrated in one of my previous volumes, “In All Time of our Tribulation,” in which the Despenser story is begun, and its end told from another point of view. That volume left Isabelle of France at the height of her ambition, in the place to reach which she had been plotting so long and so unscrupulously. Here we see the Nemesis come... more...

Preface. On the crowded canvas of the fourteenth century stands out as one of its most prominent figures that of the warrior Countess of Montfort. No reader of Froissart’s Chronicle can forget the siege of Hennebon, and the valiant part she played in the defence of her son’s dominions. Actuated by more personal motives than the peasant maid, she was nevertheless the Joan of Arc of her day, and of... more...

Castles in the Air. “O pale, pale face, so sweet and meek, Oriana!” Tennyson. “Is the linen all put away, Clarice?” “Ay, Dame.” “And the rosemary not forgotten?” “I have laid it in the linen, Dame.” “And thy day’s task of spinning is done?” “All done, Dame.” “Good. Then fetch thy sewing and come hither, and I will tell thee somewhat touching the lady whom thou art to... more...

Preface. This is not a story which requires much preface. The tale speaks for itself. But it is only right to inform the reader, that the persons who play their parts in it (apart from the historical details given) are all fictitious, excepting John Laurence and Agnes Stone. It rests, under God, with the men and women of England—and chiefly with those of them who are young now—whether such events... more...

Chapter One. The last Night in the Old Home. “Which speaks the truth - fair Hope or ghastly Fear?        God knoweth, and not I.Only, o’er both, Love holds her torch aloft,        And will, until I die.” “Fiddle-de-dee! Do give over snuffing and snivelling and sobbing, and tell me if you want your warm petticoat in the saddle-bag. You’d make a saint for... more...

Preface. The story of the following pages is one of the least known yet saddest episodes in English history—the first persecution of Christians by Christians in this land. When Boniface went forth from England to evangelise Germany, he was received with welcome, and regarded as a saint: when Gerhardt came from Germany to restore the pure Gospel to England, he was cast out of the vineyard and slain.... more...

Preface. More than three hundred years have rolled away since the events narrated in the following pages stirred the souls of men; since John Bradford sat down to his “merry supper with the Lord;” since Lawrence Saunders slept peacefully at the stake, lifted over the dark river in the arms of God; since Ridley and Latimer, on that autumn morning at Oxford, lighted that candle in England which they... more...

We alight at Brocklebank Fells. “Sure, there is room within our hearts good store;For we can lodge transgressions by the score:Thousands of toys dwell there, yet out of door        We leave Thee.”                     George Herbert. “Girls!” said my Aunt Kezia, looking round at us, “I should just like to know what is to come of the whole four of you!” My Aunt... more...

Preface. It is said that only travellers in the arid lands of the East really know the value of water. To them the Well in the Desert is a treasure and a blessing: unspeakably so, when the water is pure and sweet; yet even though it be salt and brackish, it may still save life. Was it less so, in a figurative sense, to the travellers through that great desert of the Middle Ages, wherein the wells were... more...

  • Page: 1
  • Next