Emily Sarah Holt

Little Clare’s first home. “The mossy marbles restOn the lips he hath pressedIn their bloom,And the names he loved to hearHave been carved for many a yearOn the tomb.”  Oliver Wendell Holmes. “Cold!” said the carrier, blowing on his fingers to keep them warm. “Cold, bully Penmore!” ejaculated Hal Dockett,—farrier, horse-leech, and cow-doctor in ordinary to the town of Bodmin and its... more...

Preface. This is not a story which requires much preface. The tale speaks for itself. But it is only right to inform the reader, that the persons who play their parts in it (apart from the historical details given) are all fictitious, excepting John Laurence and Agnes Stone. It rests, under God, with the men and women of England—and chiefly with those of them who are young now—whether such events... more...

Preface. The historical portion of this tale has been partially narrated in one of my previous volumes, “In All Time of our Tribulation,” in which the Despenser story is begun, and its end told from another point of view. That volume left Isabelle of France at the height of her ambition, in the place to reach which she had been plotting so long and so unscrupulously. Here we see the Nemesis come... more...

Six Hundred Years ago—What things were like. The afternoon service was over in Lincoln Cathedral, and the congregation were slowly filing out of the great west door. But that afternoon service was six hundred years ago, and both the Cathedral and the congregation would look very strange to us if we saw them now. Those days were well called the Dark Ages, and how dark they were we can scarcely realise... more...

Friends and neighbours. “Give you good-morrow, neighbour! Whither away with that great fardel (Bundle), prithee?” “Truly, Mistress, home to Staplehurst, and the fardel holdeth broadcloth for my lads’ new jerkins.” The speakers were two women, both on the younger side of middle age, who met on the road between Staplehurst and Cranbrook, the former coming towards Cranbrook and the latter from... more...

Preface. On the crowded canvas of the fourteenth century stands out as one of its most prominent figures that of the warrior Countess of Montfort. No reader of Froissart’s Chronicle can forget the siege of Hennebon, and the valiant part she played in the defence of her son’s dominions. Actuated by more personal motives than the peasant maid, she was nevertheless the Joan of Arc of her day, and of... more...

Nobody’s Child. “Oh, how full of briars is this working-day world!”                 Shakspere. “It is so cold, Mother!” The woman addressed languidly roused herself from the half-sheltered nook of the forest in which she and her child had taken refuge. She was leaning with her back supported by a giant oak, and the child was in her arms. The age of the child was about eight.... more...

Preface. The thirteenth century was one of rapid and terrible incidents, tumultuous politics, and in religious matters of low and degrading superstition. Transubstantiation had just been formally adopted as a dogma of the Church, accompanied as it always is by sacramental confession, and quickly followed by the elevation of the host and the invention of the pix. Various Orders of monks were flocking... more...

Preface. It is said that only travellers in the arid lands of the East really know the value of water. To them the Well in the Desert is a treasure and a blessing: unspeakably so, when the water is pure and sweet; yet even though it be salt and brackish, it may still save life. Was it less so, in a figurative sense, to the travellers through that great desert of the Middle Ages, wherein the wells were... more...

Castles in the Air. “O pale, pale face, so sweet and meek, Oriana!” Tennyson. “Is the linen all put away, Clarice?” “Ay, Dame.” “And the rosemary not forgotten?” “I have laid it in the linen, Dame.” “And thy day’s task of spinning is done?” “All done, Dame.” “Good. Then fetch thy sewing and come hither, and I will tell thee somewhat touching the lady whom thou art to... more...