PROLOGUE It was noon of the 10th of August, 1838. The monotonous coast line between Monterey and San Diego had set its hard outlines against the steady glare of the Californian sky and the metallic glitter of the Pacific Ocean. The weary succession of rounded, dome-like hills obliterated all sense of distance; the rare whaling vessel or still rarer trader, drifting past, saw no change in these rusty... more...

Mr. Pettijohn, now ninety-five years old, clear in memory, patriarchial in looks, says: I came to what is now Minnesota, but was then a part of Wisconsin Territory April sixteenth, 1841. I was on my way to work for the Williamsons, missionaries, at Lac qui Parle. I landed from the large steamer, the Alhambra, at the Fort Snelling landing. I climbed the steep path that led up to the fort, circled the... more...

PREFACE. This work was originally written to be delivered as a lecture; but as its pages continued to multiply, it was suggested to the author by numerous friends that it ought to be published in book-form; this, at last, the author concluded to do. This work, therefore, does not claim to be an exhaustive discussion of the various departments of which it treats; but rather it has been the aim of the... more...

Far from punishing the Corticelli by making her live with Redegonde, the Count d'Aglie seemed to have encouraged her; and I was not sorry for it, since as long as she did not trouble me any more I did not care how many lovers she had. She had become a great friend of Redegonde's, and did exactly as she pleased, for their duenna was much more easy going than the Pacienza. Nobody knew of the... more...

INTRODUCTION In offering this collection of translations from early Irish poetry to a wider public I feel that I am expected to give a brief account of the literature from which they are taken—a literature so little known that its very existence has been doubted or denied by some, while others, who had the misfortune to make its acquaintance in ill-chosen or inadequate renderings, have refused to... more...

CHAPTER I. THE BOY IN BLUE. When expulsion from college, in his junior years, was visited upon Jack Sprague, he straightway became the hero of Acredale. And, though the grave faculty had felt constrained to vindicate college authority, it was well known that they sympathized with the infraction of decorum that obliged them to put this mark of disgrace upon one of the most promising of their students.... more...

DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was—but, with the first glimpse of the building, a... more...

CHAPTER I. THE hands on the hall-clock pointed to half-past six in the morning. The house was a country residence in West Somersetshire, called Combe-Raven. The day was the fourth of March, and the year was eighteen hundred and forty-six. No sounds but the steady ticking of the clock, and the lumpish snoring of a large dog stretched on a mat outside the dining-room door, disturbed the mysterious... more...

PREFACE. The high estimation in which I have ever held the works of Rembrandt has been greatly increased by my going through this examination of his various excellencies, and such will ever be the case when the emanations of genius are investigated; like the lustre of precious stones, their luminous colour shines from the centre, not from the surface. With such a mine of rich ore as the works of... more...

PREFACE. This volume contains a large selection from Paul Gerhardt's “Spiritual Songs.” Every piece included is given in full, and is rendered into the metre of the original. A few of the following translations have appeared at various times during the last three years in different periodicals. They have been revised for this volume. Several of the hymns have been beautifully translated by... more...