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F. Sydney Morris
ARIADNE. One grows to love the Roman fountains as sea-born men the sea. Go where you will there is the water; whether it foams by Trevi, where the green moss grows in it like ocean weed about the feet of the ocean god, or whether it rushes reddened by the evening light, from the mouth of an old lion that once saw Cleopatra; whether it leaps high in air, trying to reach the gold cross on St....
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Lyman Abbott
AN INTERPRETER OF LIFE. Poetry, music, and painting are three correlated arts, connected not merely by an accidental classification, but by their intrinsic nature. For they all possess the same essential function, namely, to interpret the uninterpretable, to reveal the undiscoverable, to express the inexpressible. They all attempt, in different forms and through different languages, to translate the...
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ACT IV SCENE I. London. Before the Tower [Enter, on one side, QUEEN ELIZABETH, DUCHESS of YORK, and MARQUIS of DORSET; on the other, ANNE DUCHESS of GLOSTER, leading LADY MARGARET PLANTAGENET, CLARENCE's young daughter.]DUCHESSWho meets us here?—my niece Plantagenet,Led in the hand of her kind aunt of Gloster?Now, for my life, she's wandering to the Tower,On pure heart's love,...
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J. H. Hill
INTRODUCTION. In an article, entitled "Then and Now," published in the December number, 1890, of "The Arena," its author, a distinguished Unitarian D.D. of Boston, Mass., says. "Astronomy has shattered the fallacies of Astrology; and people have found out that the stars are minding their own business instead of meddling with theirs." Now, while it is true that modern Astronomy...
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Cora Moore
THE BUGBEAR OF AMERICAN COOKERY—MONOTONY It is as strange as it is true that with the supplies that have lately proved sufficient to feed a world to draw upon the chief trouble with American cookery is its monotony. The American cook has a wider variety of foods at his command than any other in the world, yet in the average home how rarely is it that the palate is surprised with a flavor that...
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by:
Augustus Thomas
AUGUSTUS THOMAS (Born, St. Louis, Mo., January 8, 1859) It is not a new thing for a dramatic author to write prefaces to his plays. We are fortunate in possessing a series of personal opinions in this form that constitute a valuable asset in determining individual attitude and technical purpose. Read Schiller's opening remarks to "The Robbers," Victor Hugo's famous opinions affixed to...
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by:
Archie S. Milton
CHAPTER I INTRODUCTORY Wood turning has had a definite place in the commercial world for a great many years. It is used in various forms in making furniture and furniture parts, building trim, tool parts, toys, athletic paraphernalia and many other useful and beautiful articles in common use. When properly taught in the schools it is one of the most valuable types of instruction. It appeals to pupils...
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In vain do the inhabitants of London go to their conduits for supply unless the man who has the master-key turns the water on; and in vain do we think to quench our thirst at ordinances, unless God communicates the living water of His Spirit.—Anon. It was the custom of the Roman emperors, at their triumphal entrance, to cast new coins among the multitudes; so doth Christ, in His triumphal ascension...
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by:
William Winter
THE GOOD OLD TIMES. It is recorded of John Lowin, an actor contemporary with Shakespeare and associated with several of Shakespeare's greater characters (his range was so wide, indeed, that it included Falstaff, Henry the Eighth, and Hamlet), that, having survived the halcyon days of "Eliza and our James" and lingered into the drab and russet period of the Puritans, when all the theatres...
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by:
Camille Mauclair
I THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME It will be beyond the scope of this volume to give a complete history of French Impressionism, and to include all the attractive details to which it might lead, as regards the movement itself and the very curious epoch during which its evolution has taken place. The proportions of this book confine its aim...
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