SECTION I (Pandava-Pravesa Parva) OM! Having bowed down to Narayana, and Nara, the most exalted of male beings, and also to the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, "How did my great-grandfathers, afflicted with the fear of Duryodhana, pass their days undiscovered in the city of Virata? And, O Brahman, how did the highly blessed Draupadi, stricken with woe, devoted to... more...

I THE AESTHETIC HYPOTHESIS It is improbable that more nonsense has been written about aesthetics than about anything else: the literature of the subject is not large enough for that. It is certain, however, that about no subject with which I am acquainted has so little been said that is at all to the purpose. The explanation is discoverable. He who would elaborate a plausible theory of aesthetics must... more...

Chapter I Four Special Memory Processes You have learned of the sense-perceptive and judicial processes by which your mind acquires its knowledge of the outside world. You come now to a study of the phenomenon of memory, the instrument by which your mind retains and makes use of its knowledge, the agency that has power to resurrect the buried past or power to enfold us in a Paradise of dreams more... more...

CHAPTER I INTRODUCTORY Good conversation is more easily defined by what it is not than by what it is. To come to any conclusions on this subject, one should first determine: What is the aim of conversation? Should the intention be to make intercourse with our fellows a free school in which to acquire information; should it be to disseminate knowledge; or should the object be to divert and to amuse? It... more...

I THREE PERIODS OF PROGRESS The story of Robinson Crusoe is an allegory of human history. Man is a castaway upon a desert planet, isolated from other inhabited worlds—if there be any such—by millions of miles of untraversable space. He is absolutely dependent upon his own exertions, for this world of his, as Wells says, has no imports except meteorites and no exports of any kind. Man has no wrecked... more...

My Dear Young Friends, Whom I am constrained to love and honour by many Obligations. It was the generous and condescending Friendship of your Parents under my weak Circumstances of Health, that brought me to their Country-Seat for the Benefit of the Air; but it was an Instance of most uncommon Kindness, to supply me there so chearfully for two Years of Sickness with the richest Conveniences of Life.... more...

For nearly one hundred years this curious problem has exercised the imagination of writers of fiction—and of drama, and the patience of the learned in history. No subject is more obscure and elusive, and none more attractive to the general mind. It is a legend to the meaning of which none can find the key and yet in which everyone believes. Involuntarily we feel pity at the thought of that long... more...

PREFACE As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a... more...

PREFACE. The following pages contain nothing new and nothing original, but they do contain a good deal of information gathered from various sources, and brought together under one cover. The book itself may be useful, not, perhaps, to the Professor or to the Orientalist, but to the general reader, and to the student commencing the study of Arabic. To the latter it will give some idea of the vast field... more...

CHAPTER I.—INFLUENCE OF CHARACTER. "Unless above himself he can Erect himself, how poor a thingis man"—DANIEL. "Character is moral order seen through the medium, of anindividual nature.... Men of character are the conscience ofthe society to which they belong."—EMERSON. "The prosperity of a country depends, not on the abundanceof its revenues, nor on the strength of its... more...