Song of the Pen Not for the love of women toil we, we of the craft,Not for the people's praise;Only because our goddess made us her own and laughed,Claiming us all our days, Claiming our best endeavour—body and heart and brainGiven with no reserve—Niggard is she towards us, granting us little gain;Still, we are proud to serve. Not unto us is given choice of the tasks we try,Gathering grain or... more...

TheCities are full of pride,Challenging each to each—This from her mountain-side,That from her burthened beach.They count their ships full tale—Their corn and oil and wine,Derrick and loom and bale,And rampart's gun-flecked line;City by city they hail:"Hast aught to match with mine?"And the men that breed from themThey traffic up and down,But cling to their cities' hemAs a child to... more...

I It was a dull day at the chancellery. His Excellency the American Ambassador was absent in Scotland, unveiling a bust to Bobby Burns, paid for by the numerous lovers of that poet in Pittsburg; the First Secretary was absent at Aldershot, observing a sham battle; the Military Attache was absent at the Crystal Palace, watching a foot-ball match; the Naval Attache was absent at the Duke of... more...

I. AN ARRIVAL. IT was one of the changing days of our Oldport midsummer. In the morning it had rained in rather a dismal way, and Aunt Jane had said she should put it in her diary. It was a very serious thing for the elements when they got into Aunt Jane's diary. By noon the sun came out as clear and sultry as if there had never been a cloud, the northeast wind died away, the bay was motionless,... more...

Rio Grande's Last Race Now this was what Macpherson toldWhile waiting in the stand;A reckless rider, over-bold,The only man with hands to holdThe rushing Rio Grande. He said, 'This day I bid good-byeTo bit and bridle rein,To ditches deep and fences high,For I have dreamed a dream, and IShall never ride again. 'I dreamt last night I rode this raceThat I to-day must ride,And cant'ring... more...

ACT I SCENE—Living-room of CURTIS JAYSON'S house in Bridgetown, Conn. A large, comfortable room. On the left, an arm-chair, a big open fireplace, a writing desk with chair in far left corner. On this side there is also a door leading into CURTIS' study. In the rear, center, a double doorway opening on the hall and the entryway. Bookcases are built into the wall on both sides of this... more...

ACTORS' DESCRIPTION OF CHARACTERS Margaret Chalmers. Twenty-seven years of age; a strong, mature woman, but quite feminine where her heart or sense of beauty are concerned. Her eyes are wide apart. Has a dazzling smile, which she knows how to use on occasion. Also, on occasion, she can be firm and hard, even cynical An intellectual woman, and at the same time a very womanly woman, capable of... more...

Foreword   Some two thousand years ago the greatest teacher who ever walked the earth advised the people of Judea not to build their houses on the sand. What he had in mind was that they were looking too much to the structure above ground, and too little to the spiritual forces which must be the foundation of any structure which is to stand. Following the war we enjoyed the greatest prosperity this... more...

ACCLIMATION. This is the art of successfully changing fruits or plants from one climate to another. Removal to a colder climate should be effected in the spring, and to a warmer one in the fall. This may be done by scions or seeds. By seeds is better, in all cases in which they will produce the same varieties. Very few imported apple or pear trees are valuable in this country; while our finest... more...

It was nine o'clock at night upon the second of August--the most terrible August in the history of the world. One might have thought already that God's curse hung heavy over a degenerate world, for there was an awesome hush and a feeling of vague expectancy in the sultry and stagnant air. The sun had long set, but one blood-red gash like an open wound lay low in the distant west. Above, the... more...