CHAPTER I The beginning of the nineteenth century was a time of audacious enterprises and strange vicissitudes of fortune. Whilst Western Europe in turn submitted and struggled against a sub-lieutenant who made himself an emperor, who at his pleasure made kings and destroyed kingdoms, the ancient eastern part of the Continent, like mummies which preserve but the semblance of life, was gradually... more...

MARIA FELICIA MALIBRAN. The Childhood of Maria Garcia.—Her Father's Sternness and Severe Discipline.—Her First Appearance as an Artist on the Operatic Stage.—Her Genius and Power evident from the Beginning.—Anecdotes of her Early Career.—Manuel Garcia's Operatic Enterprise in New York.—Maria Garcia is inveigled into marrying M. Malibran.—Failure of the Garcia Opera, and... more...

THE HUT IN THE WOODThe woman who told me this, and other strange tales which I may one day try to put together, had no gift of writing, but only a pathetic regard for those who had. I say pathetic, because to me her extraordinary experiences so far outvalue the tinkling art of recording them as to make her simple admiration for the artist little short of absurd. She had herself a pretty talent for... more...

PREFACE. This work is called the Critique of Practical Reason, not of the pure practical reason, although its parallelism with the speculative critique would seem to require the latter term. The reason of this appears sufficiently from the treatise itself. Its business is to show that there is pure practical reason, and for this purpose it criticizes the entire practical faculty of reason. If it... more...

Chapter I: "OUT IN ARIZONA, WHERE THE BAD MEN ARE" "So you think you'd like to work in the Park Office at Grand Canyon?" "Sure!" "Where is Grand Canyon?" I asked as an afterthought. I knew just that little about the most spectacular chasm in the world, when I applied for an appointment there as a Government worker. Our train pulled into the rustic station in the wee... more...

SCENE: Judge Dunfumy's Court. PERSONS: Judge Dunfumy, Officer Simpson and another, Jemima               Flapcakes, Cliff Mullins, John Barnes, two lawyers,               a clerk, a pretty girl and her escort. SETTING: Usual court-room arrangement, except that there is a               large red arrow pointing off-stage left,... more...

EXCELSIOR. "Goblin, lead them up and down." The ruddy glow of sunset was already fading into the sombre shadows of night, when two travellers might have been observed swiftly—at a pace of six miles in the hour—descending the rugged side of a mountain; the younger bounding from crag to crag with the agility of a fawn, while his companion, whose aged limbs seemed ill at ease in the heavy... more...

I.  It was when coming back to the mines, after a trip to Monterey, that the Girl first met him. It happened, too, just at a time when her mind was ripe to receive a lasting impression. But of all this the boys of Cloudy Mountain Camp heard not a word, needless to say, until long afterwards. Lolling back on the rear seat of the stage, her eyes half closed,—the sole passenger now, and with the seat... more...

CHAPTER I. A DOUBLE ENIGMA. "I'm afraid that he won't come," said Laura McIntyre, in a disconsolate voice. "Why not?" "Oh, look at the weather; it is something too awful." As she spoke a whirl of snow beat with a muffled patter against the cosy red-curtained window, while a long blast of wind shrieked and whistled through the branches of the great white-limbed elms... more...

Twenty-five years ago Cyril Bezdek and E. Carter Dorwin would have met in a private railway car belonging to one of them. They might even have met in a private train. At any rate they would have met in absolute privacy. But it being the present, they had to be content with a series of adjoining rooms taking up less than one half of a car on the Super-Sachem, fastest coast-to-coast train in the country.... more...