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by:
John Ruskin
DEFINITION OF THE ART OF ENGRAVING. 1. The entrance on my duty for to-day begins the fourth year of my official work in Oxford; and I doubt not that some of my audience are asking themselves, very doubtfully—at all events, I ask myself, very anxiously—what has been done. For practical result, I have not much to show. I announced, a fortnight since, that I would meet, the day before yesterday, any...
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by:
Emerson Bennett
THE STRANGER. That portion of territory known throughout Christendom as Kentucky, was, at an early period, the theatre of some of the wildest, most hardily contested, and bloody scenes ever placed on record. In fact its very name, derived from the Indian word Kan-tuck-kee, which was applied to it long before its discovery by the whites, is peculiarly significant in meaning—being no less than "the...
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THE RED CITY A NOVEL OF THE SECOND ADMINISTRATION OF WASHINGTON About five in the afternoon on the 23d of May, 1792, the brig Morning Star of Bristol, John Maynard, master, with a topgallant breeze after her, ran into Delaware Bay in mid-channel between Cape May and Cape Henlopen. Here was the only sunshine they had seen in three weeks. The captain, liking the warmth on his broad back, glanced up...
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CHAPTER I. No! as I said at the end of the last chapter but one, before I was led away by the circumstances of that time to give the world the benefit of my magnetic reminiscences—valeat quantum!—I was not yet bitten, despite Colley Grattan's urgings, with any temptation to attempt fiction, and "passion, me boy!" But I am surprised on turning over my old diaries to find how much I was...
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by:
Pauline Lester
"Come on in, Connie. The water's fine!" invited Marjorie Dean, beckoning with one round, dripping arm to the girl on the sands, while with the other she kept herself lazily afloat. The sun of a perfect August morning poured down upon the white beach, dotted here and there with ambitious bathers, who had grasped Time firmly by his venerated forelock, and fared forth with the proverbial...
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THOMAS PAINE, in his Will, speaks of this work as The American Crisis, remembering perhaps that a number of political pamphlets had appeared in London, 1775-1776, under general title of "The Crisis." By the blunder of an early English publisher of Paine's writings, one essay in the London "Crisis" was attributed to Paine, and the error has continued to cause confusion. This...
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PREFACE IN the daily life of the ordinary man, a life crowded with diverse interests and increasingly complex demands, some few moments of a busy week or month or year are accorded to an interest in art. Whatever may be his vocation, the man feels instinctively that in his total scheme of life books, pictures, music have somewhere a place. In his own business or profession he is an expert, a man of...
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CHAPTER I HOW TO STUDY FORGED AND DISPUTED SIGNATURES All Titles Depend Upon the Genuineness of Signatures—Comparing Genuine With Disputed Signatures—A Word About Fac-simile Signatures—Conditions Affecting Production of Signatures—Process of Evolving a Signature—Evidence of Experience in Handling or Mishandling a Pen—Signatures Most Difficult to Read—Simulation of Signature by Expert...
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A strong wind swept over the great forest, sending green leaves and twigs in showers before it, and bringing clouds in battalions from the west. The air presently grew cold, and then heavy drops of rain came, pattering at first like shot, but soon settling into a hard and steady fall that made the day dark and chill, tingeing the whole wilderness with gloom and desolation. The deer sought its covert, a...
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by:
Thomas Hardy
PREFACE This story of the Mellstock Quire and its old established west-gallery musicians, with some supplementary descriptions of similar officials in Two on a Tower, A Few Crusted Characters, and other places, is intended to be a fairly true picture, at first hand, of the personages, ways, and customs which were common among such orchestral bodies in the villages of fifty or sixty years ago. One is...
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