INTRODUCTORY So far as it concerns pictures painted upon panel or canvas in tempera or oils, the history of painting begins with Cimabue, who worked in Florence during the latter half of the thirteenth century. That the art was practised in much earlier times may readily be admitted, and the life-like portraits in the vestibule at the National Gallery taken from Greek tombs of the second or third... more...

CHAPTER I In the year 1860, the reputation of Doctor Wybrow as a London physician reached its highest point. It was reported on good authority that he was in receipt of one of the largest incomes derived from the practice of medicine in modern times. One afternoon, towards the close of the London season, the Doctor had just taken his luncheon after a specially hard morning's work in his... more...

THE ANCIENT PERIOD, FROM THE EARLIEST TIMES TO THE INTRODUCTION OF CHRISTIANITY IN 988. Whether Russia had any literature, or even a distinctive alphabet, previous to the end of the tenth century, is not known. In the year 988, Vladímir, Grand Prince of Kíeff, accepted Christianity for himself and his nation, from Byzantium, and baptized Russia wholesale. Hence his characteristic title in... more...

Chapter I. Many accounts of the Vigilance Committee of San Francisco have been published, but all of them, so far as I have seen, were from the pen of members of that organization, or else from persons who favored it. As a consequence their accounts of it were either partial, to a greater or less degree, or imperfect otherwise; and much has been omitted as well as misstated and misrepresented... more...

A FAIR PENITENT Charles Pineau Duclos was a French writer of biographies and novels, who lived and worked during the first half of the eighteenth century. He prospered sufficiently well, as a literary man, to be made secretary to the French Academy, and to be allowed to succeed Voltaire in the office of historiographer of France. He has left behind him, in his own country, the reputation of a lively... more...

LETTER I MISS HOWE, TO MISS CLARISSA HARLOWE WED. NIGHT, JULY 12. I write, my dearest creature, I cannot but write, to express my concern on your dejection. Let me beseech you, my charming excellence, let me beseech you, not to give way to it. Comfort yourself, on the contrary, in the triumphs of a virtue unsullied; a will wholly faultless. Who could have withstood the trials you have... more...

CHAPTER I The beginning of the nineteenth century was a time of audacious enterprises and strange vicissitudes of fortune. Whilst Western Europe in turn submitted and struggled against a sub-lieutenant who made himself an emperor, who at his pleasure made kings and destroyed kingdoms, the ancient eastern part of the Continent, like mummies which preserve but the semblance of life, was gradually... more...

MARIA FELICIA MALIBRAN. The Childhood of Maria Garcia.—Her Father's Sternness and Severe Discipline.—Her First Appearance as an Artist on the Operatic Stage.—Her Genius and Power evident from the Beginning.—Anecdotes of her Early Career.—Manuel Garcia's Operatic Enterprise in New York.—Maria Garcia is inveigled into marrying M. Malibran.—Failure of the Garcia Opera, and... more...

THE HUT IN THE WOODThe woman who told me this, and other strange tales which I may one day try to put together, had no gift of writing, but only a pathetic regard for those who had. I say pathetic, because to me her extraordinary experiences so far outvalue the tinkling art of recording them as to make her simple admiration for the artist little short of absurd. She had herself a pretty talent for... more...

PREFACE. This work is called the Critique of Practical Reason, not of the pure practical reason, although its parallelism with the speculative critique would seem to require the latter term. The reason of this appears sufficiently from the treatise itself. Its business is to show that there is pure practical reason, and for this purpose it criticizes the entire practical faculty of reason. If it... more...