Showing: 23541-23550 results of 23918

ENGLISH HOUSEWIFRY. 1. To make VERMICELLY SOOP. Take a neck of beef, or any other piece; cut off some slices, and fry them with butter 'till they are very brown; wash your pan out every time with a little of the gravy; you may broil a few slices of the beef upon a grid-iron: put all together into a pot, with a large onion, a little salt, and a little whole pepper; let it stew 'till the meat... more...

Introduction. It is necessary to say a few words to explain this book. The original title of the book was "Musings on Woman and Labour." It is, what its name implies, a collection of musings on some of the points connected with woman's work. In my early youth I began a book on Woman. I continued the work till ten years ago. It necessarily touched on most matters in which sex has a part,... more...

INTRODUCTORY NOTE The age of Elizabeth, memorable for so many reasons in the history of England, was especially brilliant in literature, and, within literature, in the drama. With some falling off in spontaneity, the impulse to great dramatic production lasted till the Long Parliament closed the theaters in 1642; and when they were reopened at the Restoration, in 1660, the stage only too faithfully... more...

CHAPTER 1 To anyone who glanced casually inside the detention room the young man sitting there did not seem very formidable. In height he might have been a little above average, but not enough to make him noticeable. His brown hair was cropped conservatively; his unlined boy's face was not one to be remembered—unless one was observant enough to note those light-gray eyes and catch a chilling,... more...

THE INN-YARDS BEFORE the building of regular playhouses the itinerant troupes of actors were accustomed, except when received into private homes, to give their performances in any place that chance provided, such as open street-squares, barns, town-halls, moot-courts, schoolhouses, churches, and—most frequently of all, perhaps—the yards of inns. These yards, especially those of carriers' inns,... more...

CHAPTER I Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of... more...

PREFACE It has always seemed to me a particular duty of the psychologist from time to time to leave his laboratory and with his little contribution to serve the outside interests of the community. Our practical life is filled with psychological problems which have to be solved somehow, and if everything is left to commonsense and to unscientific fancies about the mind, confusion must result, and the... more...

PREFACE. This work is called the Critique of Practical Reason, not of the pure practical reason, although its parallelism with the speculative critique would seem to require the latter term. The reason of this appears sufficiently from the treatise itself. Its business is to show that there is pure practical reason, and for this purpose it criticizes the entire practical faculty of reason. If it... more...

I.—INTRODUCTION. Perhaps the most striking characteristic of the life of David is its romantic variety of circumstances. What a many-coloured career that was which began amidst the pastoral solitudes of Bethlehem, and ended in the chamber where the dying ears heard the blare of the trumpets that announced the accession of Bathsheba's son! He passes through the most sharply contrasted conditions,... more...

CHAPTER I. INTRODUCTION. THE NECESSITY OF FORM IN MUSIC.—So much uncertainty and diversity of opinion exists among music lovers of every grade concerning the presence of Form in musical composition, and the necessity of its presence there, that a few general principles are submitted at the outset of our studies, as a guide to individual reflection and judgment on the subject. Certain apparently... more...