I watched Don Phillips, the commercial announcer, out of the corner of my eye. The camera in front of me swung around and lined up on my set. "... And now, on with the show," Phillips was saying. "And here, ready to test your wits, is your quizzing quiz master, Smiling Jim Parsons." I smiled into the camera and waited while the audience applauded. The camera tally light went on and the... more...

TALE 1. A new Arabian Night's Entertainment. At the foot of the great mountain Hirgonqúu was anciently situated the kingdom of Larbidel. Geographers, who are not apt to make such just comparisons, said, it resembled a football just going to be kicked away; and so it happened; for the mountain kicked the kingdom into the ocean, and it has never been heard of since. One day a young princess had... more...

I A RUNAWAY HORSE All Lustadt was in an uproar. The mad king had escaped. Little knots of excited men stood upon the street corners listening to each latest rumor concerning this most absorbing occurrence. Before the palace a great crowd surged to and fro, awaiting they knew not what. For ten years no man of them had set eyes upon the face of the boy-king who had been hastened to the grim castle of... more...

We have now left the region explored by Europeans; and our line to the south and the south-east will lie over ground wholly new. In front of us the land is no longer Arz Madyan: we are entering South Midian, which will extend to El-Hejáz. As the march might last longer than had been expected, I ordered fresh supplies from El-Muwaylah to meet us in the interior viâ Zibá. A very small boy acted... more...

About the sweet bag of a beeA chieftain to the Highlands boundAe fond kiss, and then we severAgincourt, AgincourtAh, my swete swetyngAlas! my love, you do me wrongAllen-a-Dale has no faggot for burningAll in the Downs the fleet was moor'dAll ye woods, and trees, and bowersAnd did you not hear of a jolly young WatermanAn old song made by an aged old pateA parrot from the Spanish mainArm, arm, arm,... more...

THE UMBRELLA Mme. Oreille was a very economical woman; she knew the value of a centime, and possessed a whole storehouse of strict principles with regard to the multiplication of money, so that her cook found the greatest difficulty in making what the servants call their market-penny, and her husband was hardly allowed any pocket money at all. They were, however, very comfortably off, and had no... more...

CHAPTER I. It was not a very white jacket, but white enough, in all conscience, as the sequel will show. The way I came by it was this. When our frigate lay in Callao, on the coast of Peru—her last harbour in the Pacific—I found myself without a grego, or sailor's surtout; and as, toward the end of a three years' cruise, no pea-jackets could be had from the purser's steward: and... more...

THE NURSERY ALPHABET.A for the Alphabet, A, B, C;B for the Book that was given to me.C for the Corn that stands in the stack;D for the Donkey with cross on his back.E for the Engine that's lighted with coke;F for the Funnel that puffs out the smoke. The Nursery Alphabet. E F G H.G for the Goose that swims on the pond;H for the Hen, of her chickens so fond.I for the Icicle, frosty and cold;J for... more...

CHAPTER I EARLY IDEAS OF THEIR ORIGIN It has long been recognized that the common numerals used in daily life are of comparatively recent origin. The number of systems of notation employed before the Christian era was about the same as the number of written languages, and in some cases a single language had several systems. The Egyptians, for example, had three systems of writing, with a numerical... more...

[213] THE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that... more...