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by:
Abraham Merritt
CHAPTER I For two months I had been on the d'Entrecasteaux Islands gathering data for the concluding chapters of my book upon the flora of the volcanic islands of the South Pacific. The day before I had reached Port Moresby and had seen my specimens safely stored on board the Southern Queen. As I sat on the upper deck I thought, with homesick mind, of the long leagues between me and Melbourne, and...
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by:
Robert Burns
INTRODUCTION When a poem is read aloud it is easy to realize that poetry is closely related to music. Like music it awakens vague, mysterious feelings which cannot be expressed in ordinary speech; and the person who fails to catch the subtle melody of a poem gets but little from it even though he understands perfectly the meaning of the words. To illustrate this, put into commonplace prose a passage of...
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Camille Mauclair
I THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME It will be beyond the scope of this volume to give a complete history of French Impressionism, and to include all the attractive details to which it might lead, as regards the movement itself and the very curious epoch during which its evolution has taken place. The proportions of this book confine its aim...
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John Galsworthy
ACT I It is the night of Christmas Eve, the SCENE is a Studio, flushwith the street, having a skylight darkened by a fall of snow.There is no one in the room, the walls of which are whitewashed,above a floor of bare dark boards. A fire is cheerfullyburning. On a model's platform stands an easel and canvas.There are busts and pictures; a screen, a little stool, two arm.chairs, and a long...
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Various
TOMBS OF THE FIRST EGYPTIAN DYNASTY. By LUDWIG BORCHARDT, Ph.D., Director of the German School in Cairo. For many years various European collections of Egyptian antiquities have contained a certain series of objects which gave archæologists great difficulty. There were vases of a peculiar form and color, greenish plates of slate, many of them in curious animal forms, and other similar things. It was...
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CHAPTER I The Precursors Every schoolboy knows that the Middle Ages arose on the ruins of the Roman Empire. The decline of Rome preceded and in some ways prepared the rise of the kingdoms and cultures which composed the medieval system. Yet in spite of the self-evident truth of this historical preposition we know little about life and thought in the watershed years when Europe was ceasing to be Roman...
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by:
John Reed Scott
I It was raining heavily and I fastened my overcoat to the neck as I came down the steps of the Government Building. Pushing through the crowds and clanging electric cars, at the Smithfield Street corner, I turned toward Penn Avenue and the Club, whose home is in a big, old-fashioned, grey-stone building—sole remnant of aristocracy in that section where, once, naught else had been. For three years I...
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A BALLADE OF ART COLLECTORS Oh Lord! We are the covetous. Our neighbours' goods afflict us sore.From Frisco to the Bosphorus All sightly stuff, the less the more,We want it in our hoard and store. Nor sacrilege doth us appal—Egyptian vault—fane at Cawnpore— Collector folk are sinners all. Our envoys plot in partibus. They've small regard for chancel door,Or Buddhist bolts...
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PREFACE. The chief object of a word of preface to the following notes is that the reader may not expect from them more, or other, than is intended. They are the result of meditations—not so much of a critical as a devotional character—on the book, in the regular course of private morning readings of the Scriptures—meditations which were jotted down at the time, and the refreshment and blessing...
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by:
Edward Gibbon
Preface By The Editor. The great work of Gibbon is indispensable to the student of history. The literature of Europe offers no substitute for "The Decline and Fall of the Roman Empire." It has obtained undisputed possession, as rightful occupant, of the vast period which it comprehends. However some subjects, which it embraces, may have undergone more complete investigation, on the general view...
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