THE GOOD OLD TIMES. It is recorded of John Lowin, an actor contemporary with Shakespeare and associated with several of Shakespeare's greater characters (his range was so wide, indeed, that it included Falstaff, Henry the Eighth, and Hamlet), that, having survived the halcyon days of "Eliza and our James" and lingered into the drab and russet period of the Puritans, when all the theatres... more...

I   t was shortly after ten o'clock one morning when Ezra Simpkins, a reporter from the Boston Banner, entered the Oriental Building, that dingy pile of brick and brownstone which covers a block on Sixth Avenue, and began to hunt for the office of the Royal Society of Egyptian Exploration and Research. After wandering through a labyrinth of halls, he finally found it on the second floor. A few... more...

ACT I SCENE FIRST (A richly decorated drawing-room; on the walls are portraits of Napoleon I. and his son. The entry is by a large double glass door, which opens on a roofed veranda and leads by a short stairway to a park. The door of Pauline's apartments are on the right; those of the General and his wife are on the left. On the left side of the central doorway is a table, and on the right is a... more...

I. ORIGIN OF THE WORK. About a generation ago Mr. Matthew Arnold twitted our nation with the fact that "the journeyman work of literature" was much better done in France—the books of reference, the biographical dictionaries, and the translations from the classics. He did not especially mention dictionaries of the language, because he was speaking in praise of academies, and, as far as France... more...

Since Luther, Germany has produced no greater or better man than Gotthold Ephraim Lessing; these two are Germany's pride and joy. This is the witness of Heine, and with Goethe in memory, none would pronounce the statement too bold. Luther and Lessing are Germany's representative men; each inaugurates an epoch the very existence of which would not have been possible without him. Nor is this... more...

PREFACE. Though this work was first published in 1830, it has never before been translated into English. Indeed, the volumes are almost out of print. When in Paris a few years ago the writer secured, with much difficulty, a copy, from which this translation has been made. Notes have been added by the translator, and illustrations by the publishers, which, it is believed, will enhance the interest of... more...

PREFACE The ways of telling a story are as many as the tellers themselves. It is impossible to lay down precise rules by which any one may perfect himself in the art, but it is possible to offer suggestions by which to guide practise in narration toward a gratifying success. Broadly distinguished, there are two methods of telling a story. One uses the extreme of brevity, and makes its chief reliance on... more...

CHAPTER I THE FIGHT IN THE FOREST Cold winter lay deep in the Canadian wilderness. Over it the moon was rising, like a red pulsating ball, lighting up the vast white silence of the night in a shimmering glow. Not a sound broke the stillness of the desolation. It was too late for the life of day, too early for the nocturnal roamings and voices of the creatures of the night. Like the basin of a great... more...

PREFACE Like many other works of mine, this playlet is a piece d'occasion. In 1905 it happened that Mr Arnold Daly, who was then playing the part of Napoleon in The Man of Destiny in New York, found that whilst the play was too long to take a secondary place in the evening's performance, it was too short to suffice by itself. I therefore took advantage of four days continuous rain during a... more...

INTRODUCTION. OUR age is retrospective. It builds the sepulchres of the fathers. It writes biographies, histories, and criticism. The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and... more...