RACINE When Ingres painted his vast 'Apotheosis of Homer,' he represented, grouped round the central throne, all the great poets of the ancient and modern worlds, with a single exception—Shakespeare. After some persuasion, he relented so far as to introduce into his picture a part of that offensive personage; and English visitors at the Louvre can now see, to their disgust or their... more...

RENEWAL REGISTRATIONS A list of books, pamphlets, serials, and contributions to periodicals for which renewal registrations were made during the period covered by this issue. Arrangement is alphabetical under the name of the author or issuing body or, in the case of serials and certain other works, by title. Information relating to both the original and the renewal registration is included in each... more...

WARWICK AND COVENTRY. OBLIQUE GABLES IN WARWICK.The history of England is written in living characters in the provincial towns of the kingdom; and it is this which gives such interest to places which have been surpassed commercially by great manufacturing centres and overshadowed socially by the attractions of London. The local nobility once held state little less than royal in houses whose beautiful... more...

I   Ravenel Plantation occupies a singular rise of wooded land in North Carolina, between Way-Home River, Loon Mountain, and the Silver Fork. The road which leads from Charlotte toward the south branches by the Haunted Hollow, the right fork going to Carlisle and the left following the rushing waters of the Way-Home River to the very gate-posts of Ravenel Plantation, through which the noisy water... more...

Act I. Scene I.—Salem Village. Living-room in Giles Corey's house. Olive Corey is spinning. Nancy Fox, the old servant, sits in the fireplace paring apples. Little Phœbe Morse, on a stool beside her, is knitting a stocking. Phœbe (starting). What is that? Oh, Olive, what is that? Nancy. Yes, what is that? Massy, what a clatter! Olive (spinning). I heard naught. Be not so foolish, child. And... more...

CHAPTER I TWO LETTERS The Leveretts were at their breakfast in the large sunny room in Derby Street. It had an outlook on the garden, and beyond the garden was a lane, well used and to be a street itself in the future. Then, at quite a distance, a strip of woods on a rise of ground, that still further enhanced the prospect. The sun slanted in at the windows on one side, there was nothing to shut it... more...

CHAPTER I.A MUTE GOES ABOARD A BOAT ON THE MISSISSIPPI. At sunrise on a first of April, there appeared, suddenly as Manco Capac at the lake Titicaca, a man in cream-colors, at the water-side in the city of St. Louis. His cheek was fair, his chin downy, his hair flaxen, his hat a white fur one, with a long fleecy nap. He had neither trunk, valise, carpet-bag, nor parcel. No porter followed him. He was... more...

Copyright, 1898, by William Henry Harrison Murray It was at the battle of Malvern Hill—a battle where the carnage was more frightful, as it seems to me, than in any this side of the Alleghanies during the whole war—that my story must begin. I was then serving as Major in the —th Massachusetts Regiment—the old —th, as we used to call it—and a bloody time the boys had of it too. About 2 p. m.... more...

PREFACE If I have turned aside from Euripides for a moment and attempted a translation of the great stage masterpiece of Sophocles, my excuse must be the fascination of this play, which has thrown its spell on me as on many other translators. Yet I may plead also that as a rule every diligent student of these great works can add something to the discoveries of his predecessors, and I think I have been... more...

EARLY DAYS To be born on the 28th of February is not altogether without its compensations. It affords a subject of conversation when you are asked to put your name in birthday books. It is evident that many people suppose it to be almost an intrusion to appear on that day. However, it was perfectly satisfactory to me so long as it was not the 29th. As a boy, that was all for which I cared. Still, I... more...