THREE DEDICATIONS TO EDMUND CLERIHEW BENTLEY THE DEDICATION OF THE MAN WHO WAS THURSDAY A cloud was on the mind of men, and wailing went the weather,Yea, a sick cloud upon the soul when we were boys together.Science announced nonentity and art admired decay;The world was old and ended: but you and I were gay.Round us in antic order their crippled vices came—Lust that had lost its laughter, fear that... more...

PREFACE It is a harder thing than it ought to be to write openly and frankly of things private and sacred. "Secretum meum mihi!"—"My secret is my own!"—cried St. Francis in a harrowed moment. But I believe that the instinct to guard and hoard the inner life is one that ought to be resisted. Secrecy seems to me now a very uncivilised kind of virtue, after all! We have all of us, or... more...

CHAPTER I There were very few people upon Platform Number Twenty-one of Liverpool Street Station at a quarter to nine on the evening of April 2—possibly because the platform in question is one of the most remote and least used in the great terminus. The station-master, however, was there himself, with an inspector in attendance. A dark, thick-set man, wearing a long travelling ulster and a Homburg... more...

ESSAYS ON ART "The Adoration of the Magi" There is one beauty of nature and another of art, and many attempts have been made to explain the difference between them. Signor Croce's theory, now much in favour, is that nature provides only the raw material for art. The beginning of the artistic process is the perception of beauty in nature; but an artist does not see beauty as he sees a cow.... more...

CHAPTER VIII. FLIGHT AND DEATH OF POMPEY. Pursuit of the vanquished.Pompey recovers himself. Caesar pursued the discomfited and flying bodies of Pompey's army to the camp. They made a brief stand upon the ramparts and at the gates in a vain and fruitless struggle against the tide of victory which they soon perceived must fully overwhelm them. They gave way continually here and there along the... more...

Liewen Konar smiled wryly as he put a battered object on the bench. "Well, here's another piece recovered. Not worth much, I'd say, but here it is." Obviously, it had once been a precisely fabricated piece of equipment. But its identity was almost lost. A hole was torn in the side of the metal box. Knobs were broken away from their shafts. The engraved legends were scored and worn to... more...

INTRODUCTION. The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words... more...

I—The Photograph "A beautiful woman is never especially clever," Rochester remarked. Harleston blew a smoke ring at the big drop-light on the table and watched it swirl under the cardinal shade. "The cleverest woman I know is also the most beautiful," he replied. "Yes, I can name her offhand. She has all the finesse of her sex, together with the reasoning mind; she is surpassingly... more...

ARGUMENT After much struggling and loss in love and in the world of man, the protagonist throws in his lot with a woman who is already married. Together they go into another country, she perforce leaving her children behind. The conflict of love and hate goes on between the man and the woman, and between these two and the world around them, till it reaches some sort of conclusion, they transcend into... more...

The Spectacle here presented in the likeness of a Drama is concerned with the Great Historical Calamity, or Clash of Peoples, artificially brought about some hundred years ago. The choice of such a subject was mainly due to three accidents of locality. It chanced that the writer was familiar with a part of England that lay within hail of the watering-place in which King George the Third had his... more...