May Sinclair

May Sinclair
May Sinclair (1863-1946) was an influential British novelist and critic, renowned for her contributions to modernist literature. She is credited with coining the term "stream of consciousness" to describe a narrative technique that seeks to depict the multitudinous thoughts and feelings which pass through the mind. Sinclair's notable works include "The Life and Death of Harriett Frean" and "Mary Olivier: A Life," which explore themes of women's independence and psychological depth.

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You may say that there was something wrong somewhere, some mistake, from the very beginning, in his parentage, in the time and place and manner of his birth. It was in the early eighties, over a shabby chemist's shop in Wandsworth High Street, and it came of the union of Fulleymore Ransome, a little, middle-aged chemist, weedy, parched, furtively inebriate, and his wife Emma, the daughter of John... more...

I 1 Barbara wished she would come back. For the last hour Fanny Waddington had kept on passing in and out of the room through the open door into the garden, bringing in tulips, white, pink, and red tulips, for the flowered Lowestoft bowls, hovering over them, caressing them with her delicate butterfly fingers, humming some sort of song to herself. The song mixes itself up with the Stores list Barbara... more...

INTRODUCTION When six months ago Mr. Thomas Seccombe suggested that I should write a short essay on "The Three Brontës" I agreed with some misgiving. Yet that deed was innocent compared with what I have done now; and, in any case, the series afforded the offender a certain shelter and protection. But to come out like this, into the open, with another Brontë book, seems not only a dangerous,... more...

It was four o'clock in the morning. Mrs. Walter Majendie still lay on the extreme edge of the bed, with her face turned to the dim line of sea discernible through the open window of the hotel bedroom. Since midnight, when she had gone to bed, she had lain in that uncomfortable position, motionless, irremediably awake. Mrs. Walter Majendie was thinking. At first the night had gone by her... more...

CHAPTER I Horace Jewdwine had made the most remarkable of his many remarkable discoveries. At least he thought he had. He could not be quite sure, which was his excuse for referring it to his cousin Lucia, whose instinct (he would not call it judgement) in these matters was infallible—strangely infallible for so young a girl. What, he wondered, would she say to Savage Keith Rickman? On Saturday, when... more...

I "Stephen K. Lepper, Pork-Packing Prince, from Chicago, U. S. A., by White Star Line, for Liverpool." Such was the announcement with which the Chicago Central Advertiser made beautiful its list of arrivals and departures. It was not exactly a definition of him. To be sure, if you had caught sight of him anywhere down the sumptuous vista of the first-class sleeping-saloon of the New York and... more...

CHAPTER I Everybody knew that Miss Audrey Craven was the original of "Laura," the heroine of Langley Wyndham's masterpiece. She first attracted the attention of that student of human nature at Oxford, at a dinner given by her guardian, the Dean of St. Benedict's, ostensibly in honour of the new Master of Lazarus, in reality for his ward's entertainment and instruction in the... more...

I Frances Harrison was sitting out in the garden under the tree that her husband called an ash-tree, and that the people down in her part of the country called a tree of Heaven. It was warm under the tree, and Frances might have gone to sleep there and wasted an hour out of the afternoon, if it hadn't been for the children. Dorothy, Michael and Nicholas were going to a party, and Nicky was... more...

T was Friday, the day he always came, if (so she safeguarded it) he was to come at all. They had left it that way in the beginning, that it should be open to him to come or not to come. They had not even settled that it should be Fridays, but it always was, the week-end being the only time when he could get away; the only time, he had explained to Agatha Verrall, when getting away excited no remark. He... more...

I North of east, in the bottom, where the road drops from the High Moor, is the village of Garth in Garthdale. It crouches there with a crook of the dale behind and before it, between half-shut doors of the west and south. Under the mystery and terror of its solitude it crouches, like a beaten thing, cowering from its topmost roof to the bowed back of its stone bridge. It is the last village up... more...

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