CHAPTER I The one opened the door with a latch-key and went in, followed by a young fellow who awkwardly removed his cap.  He wore rough clothes that smacked of the sea, and he was manifestly out of place in the spacious hall in which he found himself.  He did not know what to do with his cap, and was stuffing it into his coat pocket when the other took it from him.  The act was done quietly and... more...

PREFACE Romances of the future, however fantastic they may be, have for most of us a perennial if mild interest, since they are born of a very common feeling—a sense of dissatisfaction with the existing order of things, combined with a vague faith in or hope of a better one to come. The picture put before us is false; we knew it would be false before looking at it, since we cannot imagine what is... more...

MQuarrie, the City Editor, looked up as I entered his office. "Bond," he asked, "do you know Jim Carpenter?" "I know him slightly," I replied cautiously. "I have met him several times and I interviewed him some years ago when he improved the Hadley rocket motor. I can't claim a very extensive acquaintance with him." "I thought you knew him well. It is a surprise... more...

THE FISHERMAN AND THE DRAUG On Kvalholm, down in Helgeland, dwelt a poor fisherman, Elias by name, with his wife Karen, who had been in service at the parson's over at Alstad. They had built them a hut here, and he used to go out fishing by the day about the Lofotens. There could be very little doubt that the lonely Kvalholm was haunted. Whenever her husband was away, Karen heard all manner of... more...

The Pithecanthropus Silent as the shadows through which he moved, the great beast slunk through the midnight jungle, his yellow-green eyes round and staring, his sinewy tail undulating behind him, his head lowered and flattened, and every muscle vibrant to the thrill of the hunt. The jungle moon dappled an occasional clearing which the great cat was always careful to avoid. Though he moved through... more...

PREFACE As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a... more...

INTRODUCTION. In England, as elsewhere, criticism was a late birth of the literary spirit. English poets had sung and literary prose been written for centuries before it struck men to ask themselves, What is the secret of the power that these things have on our mind, and by what principles are they to be judged? And it could hardly have been otherwise. Criticism is a self-conscious art, and could not... more...

IntroductionThe book's appeal.This book has a purpose, which is as simple as it is plain; and an unpretentious scope. It does not aim to edify either the musical professor or the musical scholar. It comes into the presence of the musical student with all becoming modesty. Its business is with those who love music and present themselves for its gracious ministrations in Concert-Room and Opera... more...

LETTER XIX. May 19. Dear E.:— This letter I consecrate to you, because I know that the persons and things to be introduced into it will most particularly be appreciated by you. In your evening reading circles, Macaulay, Sidney Smith, and Milman have long been such familiar names that you will be glad to go with me over all the scenes of my morning breakfast at Sir Charles Trevelyan's yesterday.... more...

INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps... more...