Biographical Note Henry Kendall was the first Australian poet to draw his inspiration from the life, scenery and traditions of the country. In the beginnings of Australian poetry the names of two other men stand with his—Adam Lindsay Gordon, of English parentage and education, and Charles Harpur, born in Australia a generation earlier than Kendall. Harpur's work, though lacking vitality, shows... more...

PREFACE The object of this book is to give the English-speaking public, in a convenient form, as faithful and readable a copy as the translator was capable of making of a document unique in the literature of antiquity. Whether we regard the correspondence of Cicero from the point of view of the biographer and observer of character, the historian, or the lover of belles lettres, it is equally worthy of... more...

PREFACE. Madam Guyon's correspondence was very extensive, occupying five printed volumes. Her style of writing is somewhat diffuse. In giving religious advice to many persons, there would necessarily be frequent repetitions. It has, therefore, occurred to the writer, that a selection and re-arrangement of thoughts, such as is found in this little volume, would be more acceptable and useful, than a... more...

CHAPTER ITHERE was not a person in Old Chester less tainted by the vulgarity of secretiveness than Miss Lydia Sampson. She had no more reticence than sunshine or wind, or any other elemental thing. How much of this was due to conditions it would be hard to say; certainly there was no "reticence" in her silence as to her neighbors' affairs; she simply didn't know them! Nobody ever... more...

PREFACE. The publishers of these letters have requested me to write a preface. In vain I have told them, that if prefaces have not gone out of date, the sooner they do, the better it will be for the public; in vain I have despairingly suggested that there must be something which would serve their purpose, kept in type at their printers, commencing, "At the request of—perhaps too... more...

CHAPTER I. 'Thou shalt have no other gods before me.' 'Mother,' said little Effie Maurice, on a Sabbath evening in winter, 'Mr L—— said to-day that we are all in danger of breaking the first commandment,—do you think we are?' 'Did not Mr L. give you his reasons for thinking so?' 'Yes, mother.' 'Didn't you think he gave good... more...

I "I guess my daughter's in here," the old man said leading the way into the little salon de lecture. He was not of the most advanced age, but that is the way George Flack considered him, and indeed he looked older than he was. George Flack had found him sitting in the court of the hotel—he sat a great deal in the court of the hotel—and had gone up to him with characteristic directness... more...

FRENCH LITERATURE. Of French literature, taken as a whole, it may boldly be said that it is, not the wisest, not the weightiest, not certainly the purest and loftiest, but by odds the most brilliant and the most interesting, literature in the world. Strong at many points, at some points triumphantly strong, it is conspicuously weak at only one point,—the important point of poetry. In eloquence, in... more...

GETTING OUT. "If you belong to any of the following classes," said the Demobilisation advertisement, "do nothing." So Lieut. William Smith did nothing. After doing nothing for some weeks he met a friend who said, "Hallo, aren't you out yet?" "Not yet," said William, looking at his spurs. "Well, you ought to do something." So Lieut. William Smith decided to... more...

CRITICAL AND HISTORICAL ESSAYS Darwin's theory that music had its origin “in the sounds made by the half-human progenitors of man during the season of courtship” seems for many reasons to be inadequate and untenable. A much more plausible explanation, it seems to me, is to be found in the theory of Theophrastus, in which the origin of music is attributed to the whole range of human emotion.... more...