CHAPTER I It was nearly two o'clock in the morning. The lights were out in Robinson's Hall, where there had been dancing and revelry; and the moon, riding high, painted the black windows with silver. The cavalcade, that an hour ago had shocked the sedate pines with song and laughter, were all dispersed. One enamoured swain had ridden east, another west, another north, another south; and the... more...

There are—and very probably will always be—some Terrestrials who can't, and for that matter don't want, to call their souls their own.... Xanabar lays across the Spiral Arm, a sprawling sphere of influence vast, mighty, solid at the core. Only the far-flung boundary shows the slight ebb and flow of contingent cultures that may win a system or two today and lose them back tomorrow or a... more...

PREFACE The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel. Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science. The aim of the novelist, apparently, is to lecture instead of to amuse his readers. Plot, incident, and description are being sacrificed more and more to... more...

INTRODUCTION HOW WE CAME INTO THE GARDEN It was by a strange irony of Fate that we found ourselves reunited for a summer's outing, in a French garden, in July, 1914. With the exception of the Youngster, we had hardly met since the days of our youth. We were a party of unattached people, six men, two women, your humble servant, and the Youngster, who was an outsider. With the exception of the... more...

Chapter 1 Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic... more...

SECTION I. PRINCIPLES OF ART. 1. Perfect taste is the faculty of receiving the greatest possible pleasure from those material sources which are attractive to our moral nature in its purity and perfection; but why we receive pleasure from some forms and colours, and not from others, is no more to be asked or answered than why we like sugar and dislike wormwood. 2. The temper by which right taste is... more...

"What do you call it?" the buyer asked Jenkins. "I named it 'Journey Home' but you can think up a better name for it if you want. I'll guarantee that it sells, though. There's nothing like it on any midway." "I'd like to try it out first, of course," Allenby said. "Star-Time uses only the very best, you know." "Yes, I know," Jenkins said.... more...

BROKEN “The expected has happened, I see,” said Macloud, laying aside the paper he had been reading, and raising his hand for a servant. “I thought it was the unexpected that happens,” Hungerford drawled, languidly. “What do you mean?” “Royster & Axtell have been thrown into bankruptcy. Liabilities of twenty million, assets problematical.” “You don’t say!” ejaculated... more...

TO MY READERS Some of my youthful readers are developing wonderful imaginations. This pleases me. Imagination has brought mankind through the Dark Ages to its present state of civilization. Imagination led Columbus to discover America. Imagination led Franklin to discover electricity. Imagination has given us the steam engine, the telephone, the talking-machine and the automobile, for these things had... more...

CHAPTER I AN INTRODUCTORY DISASTER Early in the spring of the year 1884 the three-masted schooner Castor, from San Francisco to Valparaiso, was struck by a tornado off the coast of Peru. The storm, which rose with frightful suddenness, was of short duration, but it left the Castor a helpless wreck. Her masts had snapped off and gone overboard, her rudder-post had been shattered by falling wreckage, and... more...