OUR PARISH CHAPTER I—THE BEADLE.  THE PARISH ENGINE.  THE SCHOOLMASTER How much is conveyed in those two short words—‘The Parish!’  And with how many tales of distress and misery, of broken fortune and ruined hopes, too often of unrelieved wretchedness and successful knavery, are they associated!  A poor man, with small earnings, and a large family, just manages to live on from hand to... more...

I—The Photograph "A beautiful woman is never especially clever," Rochester remarked. Harleston blew a smoke ring at the big drop-light on the table and watched it swirl under the cardinal shade. "The cleverest woman I know is also the most beautiful," he replied. "Yes, I can name her offhand. She has all the finesse of her sex, together with the reasoning mind; she is surpassingly... more...

Among the four hundred human beings who peopled our parish there were two notable men and one highly gifted woman. All three are dead, and lie buried in the churchyard of the village where they lived. Their graves form a group—unsung by any poet, but worthy to be counted among the resting-places of the mighty. The woman was Mrs. Abel, the Rector's wife. None of us knew her origin—I doubt if... more...

INTRODUCTION Paul Henri Thiery, Baron d'Holbach (1723-1789), was the center of the radical wing of the philosophes. He was friend, host, and patron to a wide circle that included Diderot, D'Alembert, Helvetius, and Hume. Holbach wrote, translated, edited, and issued a stream of books and pamphlets, often under other names, that has made him the despair of bibliographers but has connected his... more...

INTRODUCTION. The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words... more...

TOM WANTS EXCITEMENT   “Have you anything special to do to-night, Ned?” asked Tom Swift, the well-known inventor, as he paused in front of his chum’s window, in the Shopton National Bank. “No, nothing in particular,” replied the bank clerk, as he stacked up some bundles of bills. “Why do you ask?” “I wanted you to come over to the house for a while.” “Going to have a surprise... more...

CHAPTER I CALICO PATCHWORK The gorgeous sunshine of a perfect June morning invited to the great outdoors. Exquisite perfume from myriad blossoms tempted lovers of nature to get away from cramped, man-made buildings, out under the blue roof of heaven, and revel in the lavish splendor of the day. This call of the Junetide came loudly and insistently to a little girl as she sat in the sitting-room of a... more...

THE ORATORIO. The oratorio in its modern form is a musical setting of a sacred story or text in a style more or less dramatic. Its various parts are assigned to the four solo voices and to single or double chorus, with accompaniment of full orchestra, sometimes amplified by the organ. Like the opera, it has its recitative, linking together and leading up to the various numbers. The origin of the word... more...

Seeing that it is no less necessary for sculptors to have mastery over their carving-tools than it is for him who practises painting to be able to handle colours, it therefore happens that many who work very well in clay prove to be unable to carry their labours to any sort of perfection in marble; and some, on the contrary, work very well in marble, without having any more knowledge of design than a... more...

CHAPTER I. Rocks-naked, hard, red-brown rocks all round; not a bush, not a blade, not a clinging moss such as elsewhere nature has lightly flung on the rocky surface of the heights, as if a breath of her creative life had softly touched the barren stone. Nothing but smooth granite, and above it a sky as bare of cloud as the rocks are of shrubs and herbs. And yet in every cave of the mountain wall there... more...