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Robert W. (Robert William) Chambers
Robert William Chambers (1865-1933) was an American artist and writer best known for his collection of weird and supernatural short stories, "The King in Yellow" (1895). This work influenced the horror genre, blending gothic fiction with elements of mystery and psychological horror. Chambers also wrote numerous romance and adventure novels, achieving commercial success during his lifetime.
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It was now almost too dark to distinguish objects; duskier and vaguer became the flat world of marshes, set here and there with cypress and bounded only by far horizons; and at last land and water disappeared behind the gathered curtains of the night. There was no sound from the waste except the wind among the withered reeds and the furrowing splash of wheel and hoof over the submerged causeway. The...
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I THE ROAD TO VARICKS' We drew bridle at the cross-roads; he stretched his legs in his stirrups, raised his arms, yawned, and dropped his huge hands upon either thigh with a resounding slap. "Well, good-bye," he said, gravely, but made no movement to leave me. "Do we part here?" I asked, sorry to quit my chance acquaintance of the Johnstown highway. He nodded, yawned again, and...
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IN SEARCH OF THE UNKNOWN I Because it all seems so improbable—so horribly impossible to me now, sitting here safe and sane in my own library—I hesitate to record an episode which already appears to me less horrible than grotesque. Yet, unless this story is written now, I know I shall never have the courage to tell the truth about the matter—not from fear of ridicule, but because I myself shall...
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No undue liberties with history have been attempted in this romance. Few characters in the story are purely imaginary. Doubtless the fastidious reader will distinguish these intruders at a glance, and very properly ignore them. For they, and what they never were, and what they never did, merely sugar-coat a dose disguised, and gild the solid pill of fact with tinselled fiction. But from the flames of...
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THE THIRD EYE Although the man's back was turned toward me, I was uncomfortably conscious that he was watching me. How he could possibly be watching me while I stood directly behind him, I did not ask myself; yet, nevertheless, instinct warned me that I was being inspected; that somehow or other the man was staring at me as steadily as though he and I had been face to face and his faded, sea-green...
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THE REPAIRER OF REPUTATIONS I "Ne raillons pas les fous; leur folie dure plus longtemps que la nôtre…. Voila toute la différence." Toward the end of the year 1920 the Government of the United States had practically completed the programme, adopted during the last months of President Winthrop's administration. The country was apparently tranquil. Everybody knows how the Tariff and...
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I Like a man who reenters a closed and darkened house and lies down; lying there, remains conscious of sunlight outside, of bird-calls, and the breeze in the trees, so had Drene entered into the obscurity of himself. Through the chambers of his brain the twilit corridors where cringed his bruised and disfigured soul, there nothing stirring except the automatic pulses which never cease. Sometimes, when...
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To R. T.Three Guests at dinner! That's the life!—Wedgewood, Revere, and Duncan Phyfe! IIYou sit on Duncan—when you dare,—And out of Wedgewood, using care,With Paul Revere you eat your fare.From Paul you borrow fork and knifeTo wage a gastronomic strifeIn porringers; and platters rareOf blue Historic Willow-ware. IVBanquets with cymbal, drum and fife,Or rose-wreathed feasts with riot rifeTo...
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PROLOGUE ECHOES OF YESTERDAY His Excellency's system of intelligence in the City of New York I never pretended to comprehend. That I was one of many agents I could have no doubt; yet as long as I remained there I never knew but three or four established spies with residence in town. Although I had no illusions concerning Mr. Gaine and his "Gazette," at intervals I violently suspected Mr....
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CHAPTER I. ACQUAINTANCE The speed of the train slackened; a broad tidal river flashed into sight below the trestle, spreading away on either hand through yellowing level meadows. And now, above the roaring undertone of the cars, from far ahead floated back the treble bell-notes of the locomotive; there came a gritting vibration of brakes; slowly, more slowly the cars glided to a creaking standstill...
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