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F. Marion (Francis Marion) Crawford

Francis Marion Crawford (1854-1909) was an American writer noted for his prolific output of novels and short stories, many of which explore supernatural themes. His most famous works include the "Saracinesca" series and the horror story "The Screaming Skull." Crawford's rich, descriptive prose and ability to evoke atmospheric settings have earned him a lasting place in the Gothic and supernatural literary traditions.
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CHAPTER I The Senator Michele Pignaver, being a childless widower of several years' standing and a personage of wealth and worth in Venice, made up his mind one day that he would marry his niece Ortensia, as soon as her education was completed. For he was a man of culture and of refined tastes, fond of music, much given to writing sonnets and to reading the works of the elegant Politian, as well...
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CHAPTER I 'I cannot help it,' said Filmore Durand quietly. 'I paint what I see. If you are not pleased with the likeness, I shall be only too happy to keep it.' The Marchesa protested. It was only a very small matter, she said, a something in the eyes, or in the angle of the left eyebrow, or in the turn of the throat; she could not tell where it was, but it gave her niece a little...
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CHAPTER I. In spite of Jean-Jacques and his school, men are not everywhere born free, any more than they are everywhere in chains, unless these be of their own individual making. Especially in countries where excessive liberty or excessive tyranny favours the growth of that class most usually designated as adventurers, it is true that man, by his own dominant will, or by a still more potent servility,...
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CHAPTER I When the widow of Martino Consalvi married young Corbario, people shook their heads and said that she was making a great mistake. Consalvi had been dead a good many years, but as yet no one had thought it was time to say that his widow was no longer young and beautiful, as she had always been. Many rich widows remain young and beautiful as much as a quarter of a century, or even longer, and...
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Chapter VII. “Has anything gone wrong?” There was so much of interest and sympathy in her tone, as Joe put the simple question, that John turned and looked into her face. The magic of moonlight softens the hardest features, makes interest look like friendship, and friendship like love; but it can harden too at times, and make a human face look like carved stone. “No, there is nothing wrong,”...
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CHAPTER I. Two years of service in the Zouaves had wrought a change in Anastase Gouache, the painter. He was still a light man, nervously built, with small hands and feet, and a delicate face; but constant exposure to the weather had browned his skin, and a life of unceasing activity had strengthened his sinews and hardened his compact frame. The clustering black curls were closely cropped, too, while...
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CHAPTER I When the accident happened, Cordova was singing the mad scene in Lucia for the last time in that season, and she had never sung it better. The Bride of Lammermoor is the greatest love-story ever written, and it was nothing short of desecration to make a libretto of it; but so far as the last act is concerned the opera certainly conveys the impression that the heroine is a raving lunatic. Only...
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PAUL PATOFF. My dear lady—my dear friend—you have asked me to tell you a story, and I am going to try, because there is not anything I would not try if you asked it of me. I do not yet know what it will be about, but it is impossible that I should disappoint you; and if the proverb says, "Needs must when the devil drives," I can mend the proverb into a show of grace, and say, The most...
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CHAPTER I I, Cornelio Grandi, who tell you these things, have a story of my own, of which some of you are not ignorant. You know, for one thing, that I was not always poor, nor always a professor of philosophy, nor a scribbler of pedantic articles for a living. Many of you can remember why I was driven to sell my patrimony, the dear castello in the Sabines, with the good corn-land and the vineyards in...
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CHAPTER I Frau von Sigmundskron was not really much past middle age, though the people in the village generally called her the old baroness. Her hair was very white and she was thin and pale; her bold features, almost emaciated, displayed the framework of departed beauty, and if her high white forehead and waxen face were free from lines and wrinkles, it must have been because time and grief could find...
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