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F. Marion (Francis Marion) Crawford
Francis Marion Crawford (1854-1909) was an American writer noted for his prolific output of novels and short stories, many of which explore supernatural themes. His most famous works include the "Saracinesca" series and the horror story "The Screaming Skull." Crawford's rich, descriptive prose and ability to evoke atmospheric settings have earned him a lasting place in the Gothic and supernatural literary traditions.
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CHAPTER I A great multitude of people filled the church, crowded together in the old black pews, standing closely thronged in the nave and aisles, pressing shoulder to shoulder even in the two chapels on the right and left of the apse, a vast gathering of pale men and women whose eyes were sad and in whose faces was written the history of their nation. The mighty shafts and pilasters of the Gothic...
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PAUL PATOFF. My dear lady—my dear friend—you have asked me to tell you a story, and I am going to try, because there is not anything I would not try if you asked it of me. I do not yet know what it will be about, but it is impossible that I should disappoint you; and if the proverb says, "Needs must when the devil drives," I can mend the proverb into a show of grace, and say, The most...
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The Upper Berth. Somebody asked for the cigars. We had talked long, and the conversation was beginning to languish; the tobacco smoke had got into the heavy curtains, the wine had got into those brains which were liable to become heavy, and it was already perfectly evident that, unless somebody did something to rouse our oppressed spirits, the meeting would soon come to its natural conclusion, and we,...
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CHAPTER I The Senator Michele Pignaver, being a childless widower of several years' standing and a personage of wealth and worth in Venice, made up his mind one day that he would marry his niece Ortensia, as soon as her education was completed. For he was a man of culture and of refined tastes, fond of music, much given to writing sonnets and to reading the works of the elegant Politian, as well...
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The story of Rome is the most splendid romance in all history. A few shepherds tend their flocks among volcanic hills, listening by day and night to the awful warnings of the subterranean voice,—born in danger, reared in peril, living their lives under perpetual menace of destruction, from generation to generation. Then, at last, the deep voice swells to thunder, roaring up from the earth's...
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CHAPTER I “I sometimes think that one’s past life is written in a foreign language,” said Mrs. Bowring, shutting the book she held, but keeping the place with one smooth, thin forefinger, while her still, blue eyes turned from her daughter’s face towards the hazy hills that hemmed the sea thirty miles to the southward. “When one wants to read it, one finds ever so many words which one cannot...
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MAN OVERBOARD Yes—I have heard "Man overboard!" a good many times since I was a boy, and once or twice I have seen the man go. There are more men lost in that way than passengers on ocean steamers ever learn of. I have stood looking over the rail on a dark night, when there was a step beside me, and something flew past my head like a big black bat—and then there was a splash! Stokers often...
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I "Hope is very cheap. There's always plenty of it about." "Fortunately for poor men. Good morning." With this mild retort and civil salutation John Henry Overholt rose and went towards the door, quite forgetting to shake hands with Mr. Burnside, though the latter made a motion to do so. Mr. Burnside always gave his hand in a friendly way, even when he had flatly refused to do what...
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CHAPTER I. In spite of Jean-Jacques and his school, men are not everywhere born free, any more than they are everywhere in chains, unless these be of their own individual making. Especially in countries where excessive liberty or excessive tyranny favours the growth of that class most usually designated as adventurers, it is true that man, by his own dominant will, or by a still more potent servility,...
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CHAPTER I When the accident happened, Cordova was singing the mad scene in Lucia for the last time in that season, and she had never sung it better. The Bride of Lammermoor is the greatest love-story ever written, and it was nothing short of desecration to make a libretto of it; but so far as the last act is concerned the opera certainly conveys the impression that the heroine is a raving lunatic. Only...
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