I Because I believe that many do not understand the verse ofLichtenstein, do not correctly understand, do not clearly understand— II The first eighty poems are lyric. In the usual sense. They are not much different from poetry that praises gardens. The content is the distress of love, death, universal longing. The impulse to formulate them in the "cynical" vein (like cabaret songs) may, for... more...

FIRST MEMORY. Childhood has its secrets and its mysteries; but who can tell or who can explain them! We have all roamed through this silent wonder-wood—we have all once opened our eyes in blissful astonishment, as the beautiful reality of life overflowed our souls. We knew not where, or who, we were—the whole world was ours and we were the whole world's. That was an infinite life—without... more...

RENEWALS An alphabetical list under main headings (author, editor, compiler or title), of works in Class A for which the renewal copyright was registered during the period covered by this catalog. Joint authors, editors, etc., are represented by references leading to the respective main headings. Information relating to both the original and renewal registration is included in each entry. ABBOTT,... more...

INTRODUCTION The following narrative, written over eighty years ago, and now at last given to the world in 1906, is remarkable in many respects. It is remarkable for its subject, for its style, and for its literary history. The subject—a deathbed scene—might seem at first sight to be a trite and common one. The mise-en-scène—the Field of Waterloo—alone however redeems it from such a charge;... more...

A. A-, prefix (1), adding intensity to the notion of the verb.—AS. á for ar-, ar-, Goth. us-. For the quantity of the á see Sievers, 121. Cf. . A-, prefix (2), standing for A, prep., and for Icel. á; see . A-, prefix (3), standing for Of, prep.; see . A-, prefix (4), standing for AS. and-, against, in return, toward.—AS. and-, ond-, on- (proclitic). Cf. A-, prefix (5), standing for At, prep.,... more...

THE TROJAN WOMEN In his clear preface, Gilbert Murray says with truth that The Trojan Women, valued by the usage of the stage, is not a perfect play. "It is only the crying of one of the great wrongs of the world wrought into music." Yet it is one of the greater dramas of the elder world. In one situation, with little movement, with few figures, it flashes out a great dramatic lesson, the... more...

SUPPOSE that a habit of minute observation of nature is one of the most difficult things to acquire, as it is one which is less generally pursued than any other study. In almost all departments of learning and investigation there have been numberless works published to illustrate them, and text books would fill the shelves of a large library. Thoreau in his “Walden” has shown an extremely fine and... more...

BROKEN “The expected has happened, I see,” said Macloud, laying aside the paper he had been reading, and raising his hand for a servant. “I thought it was the unexpected that happens,” Hungerford drawled, languidly. “What do you mean?” “Royster & Axtell have been thrown into bankruptcy. Liabilities of twenty million, assets problematical.” “You don’t say!” ejaculated... more...

INTRODUCTION The fairy tale has a place in the training of children which common sense and a sympathetic attitude toward childhood will not deny. Some rigid philosophers, who see no more of life than is to be found in logical science, condemn the imaginative tale. They regard the teaching of myths and stories as the telling of pleasant lies, which, if harmless, are wasteful. What the child acquires... more...

THE COD-FISHER Where leap the long Atlantic swellsIn foam-streaked stretch of hill and dale,Where shrill the north-wind demon yells,And flings the spindrift down the gale;Where, beaten 'gainst the bending mast,The frozen raindrop clings and cleaves,With steadfast front for calm or blastHis battered schooner rocks and heaves. To same the gain, to some the loss,To each the chance, the risk, the... more...