Nathaniel Hawthorne

Nathaniel Hawthorne
Nathaniel Hawthorne was a prominent American novelist and short story writer of the 19th century, known for his exploration of themes such as sin, guilt, and moral complexity. His most famous works include "The Scarlet Letter" and "The House of the Seven Gables," which are quintessential examples of dark romanticism. Hawthorne's writing often delves into the Puritanical history of New England, reflecting on the human condition and societal norms.

Author's Books:

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THE HOUSE OF THE SEVEN GABLES. IN September of the year during the February of which Hawthorne had completed "The Scarlet Letter," he began "The House of the Seven Gables." Meanwhile, he had removed from Salem to Lenox, in Berkshire County, Massachusetts, where he occupied with his family a small red wooden house, still standing at the date of this edition, near the Stockbridge Bowl.... more...

The character of this female suggests a train of thought which will form as natural an Introduction to her story, as most of the Prefaces to Gay's Fables, or the tales of Prior; besides that, the general soundness of the moral may excuse any want of present applicability. We will not look for a living resemblance of Mrs. Hutchinson, though the search might not be altogether fruitless. But there... more...

Respectable-looking individual makes his bow and addresses the public. In my daily walks along the principal street of my native town, it has often occurred to me, that, if its growth from infancy upward, and the vicissitude of characteristic scenes that have passed along this thoroughfare during the more than two centuries of its existence, could be presented to the eye in a shifting panorama, it... more...

The greatest attraction, in this vicinity, is the famous old fortress of Ticonderoga, the remains of which are visible from the piazza of the tavern, on a swell of land that shuts in the prospect of the lake. Those celebrated heights, Mount Defiance and Mount Independence, familiar to all Americans in history, stand too prominent not to be recognized, though neither of them precisely corresponds to the... more...

Balmy Spring—weeks later than we expected and months later than we longed for her—comes at last to revive the moss on the roof and walls of our old mansion. She peeps brightly into my study-window, inviting me to throw it open and create a summer atmosphere by the intermixture of her genial breath with the black and cheerless comfort of the stove. As the casement ascends, forth into infinite... more...

THE NOTCH OF THE WHITE MOUNTAINS. It was now the middle of September. We had come since sunrise from Bartlett, passing up through the valley of the Saco, which extends between mountainous walls, sometimes with a steep ascent, but often as level as a church-aisle. All that day and two preceding ones we had been loitering towards the heart of the White Mountains,—those old crystal hills, whose... more...

I. OLD MOODIE The evening before my departure for Blithedale, I was returning to my bachelor apartments, after attending the wonderful exhibition of the Veiled Lady, when an elderly man of rather shabby appearance met me in an obscure part of the street. "Mr. Coverdale," said he softly, "can I speak with you a moment?" As I have casually alluded to the Veiled Lady, it may not be amiss... more...

There is a volume of what were once newspapers each on a small half-sheet, yellow and time-stained, of a coarse fabric, and imprinted with a rude old type. Their aspect conveys a singular impression of antiquity, in a species of literature which we are accustomed to consider as connected only with the present moment. Ephemeral as they were intended and supposed to be, they have long outlived the... more...

THE WAYSIDE. INTRODUCTORY. A short time ago, I was favored with a flying visit from my young friend Eustace Bright, whom I had not before met with since quitting the breezy mountains of Berkshire. It being the winter vacation at his college, Eustace was allowing himself a little relaxation, in the hope, he told me, of repairing the inroads which severe application to study had made upon his health; and... more...

PREFACE A preface generally begins with a truism; and I may set out with the admission that it is not always expedient to bring to light the posthumous work of great writers. A man generally contrives to publish, during his lifetime, quite as much as the public has time or inclination to read; and his surviving friends are apt to show more zeal than discretion in dragging forth from his closed desk... more...

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