PREFACE A single purpose runs throughout this little book, though different aspects of it are treated in the three several parts. The first part, "The Mystery of Evil," written soon after "The Idea of God," was designed to supply some considerations which for the sake of conciseness had been omitted from that book. Its close kinship with the second part, "The Cosmic Roots of Love... more...

CHAPTER I. THE DAWN OF AERONAUTICS. "He that would learn to fly must be brought up to the constant practice of it from his youth, trying first only to use his wings as a tame goose will do, so by degrees learning to rise higher till he attain unto skill and confidence." So wrote Wilkins, Bishop of Chester, who was reckoned a man of genius and learning in the days of the Commonwealth. But so... more...

CHAPTER I DECORATION AS AN ART "Who creates a Home, creates a potent spirit which in turn doth fashion him that fashioned." Probably no art has so few masters as that of decoration. In England, Morris was for many years the great leader, but among his followers in England no one has attained the dignity of unquestioned authority; and in America, in spite of far more general practice of the art,... more...

I. THE TEACHING OF THE NOVEL All will agree that the novel is one of the most important forms of literature for high school study. The fact that almost every boy and girl who is at all interested in reading likes the novel, gives the teacher an excellent opportunity to stimulate the pupil's love for literature and to help him to discriminate between what is true and what is false; between what is... more...

The strangers landed just before dawn, incinerating a good li of bottom land in the process. Their machines were already busily digging up the topsoil. The Old One watched, squinting into the morning sun. He sighed, hitched up his saffron robes and started walking down toward the strangers. Griffin turned, not trying to conceal his excitement. "You're the linguist, see what you can get out of... more...

INTRODUCTION. However much we may admire, considered purely as art, the Pagan temples of the Greeks and Romans, we must confess that they are lacking in those high ideals and those sustained and inspired motives which seem to penetrate and permeate the buildings and churches of the Christian era. Perfect as is Greek art within its somewhat narrow limits, it is, nevertheless, cold, precise and lifeless.... more...

PREFACE In the ensuing volume I have attempted to give a defined and permanent form to a variety of thoughts, which have occurred to my mind in the course of thirty-four years, it being so long since I published a volume, entitled, the Enquirer,—thoughts, which, if they have presented themselves to other men, have, at least so far as I am aware, never been given to the public through the medium of... more...

CHAPTER I ANTHONY PATCH In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual "There!"—yet at the brink of this story he has as yet gone no further than the conscious stage. As... more...

There wasn’t anything underneath but clouds, and there wasn’t anything overhead but sky. Joe Kenmore looked out the plane window past the co-pilot’s shoulder. He stared ahead to where the sky and cloud bank joined—it was many miles away—and tried to picture the job before him. Back in the cargo space of the plane there were four big crates. They contained the pilot gyros for the most... more...

THE CATCHING OF UNSHELLED FISH "First catch your hare," the old cookery books used to say, and hence it is proper, in a treatise devoted entirely to the cooking of Unshelled Fish, to pay passing attention to the Catching, or what the Head of the House terms the Masculine Division of the Subject. As it is evident that the catching must, in every case precede the cooking—but not too far—the... more...