If my friend the engineer had not told me the Tube was dangerous, I would not have bought a ticket on that fatal night, and the world would never have learned the story of the Golden Cavern and the City of the Dead. Having therefore, according to universal custom, first made my report as the sole survivor of the much-discussed Undersea Tube disaster to the International Committee for the Investigation... more...

An Encounter in the Wood. “Hullo! What’s that?” The lad who uttered those words dropped a short, stiff fishing-rod in amongst the bracken and furze, and made a dash in the direction of a sharp rustling sound to his right, ran as hard as he could, full-pelt, for about five-and-twenty yards, and then, catching his toe in a tough stem of heather, went headlong down into a tuft of closely-cropped... more...

INTRODUCTION   he long obscurity of the Dark Ages lifted over Italy, awakening to a national though a divided consciousness. Already two distinct tendencies were apparent. The practical and rational, on the one hand, was soon to be outwardly reflected in the burgher-life of Florence and the Lombard cities, while at Rome it had even then created the civil organization of the curia. The novella was its... more...

CHAPTER I 'HASTE TO THE WEDDING' 'Wooed and married and a'.' 'Edith!' said Margaret, gently, 'Edith!' But, as Margaret half suspected, Edith had fallen asleep. She lay curled up on the sofa in the back drawing-room in Harley Street, looking very lovely in her white muslin and blue ribbons. If Titania had ever been dressed in white muslin and blue ribbons,... more...

I THE ART OF ARCHITECTURE One of the advantages of a thorough assimilation of what may be called the theosophic idea is that it can be applied with advantage to every department of knowledge and of human activity: like the key to a cryptogram it renders clear and simple that which before seemed intricate and obscure. Let us apply this key to the subject of art, and to the art of architecture in... more...

Act I Scene 1 [An old park with avenues of trees leading away in all directions. Directly in background of stage there is a sheet of water fringed by willow and poplar trees. On the right and left is a high box hedge formed in curves with the top clipped in grotesque shapes mostly of birds. A statue is placed in the centre of each hedge, and beneath the statues are seats. When the curtain rises several... more...

1 MR. JACKSON MAKES UP HIS MIND If Mike had been in time for breakfast that fatal Easter morning he might have gathered from the expression on his father's face, as Mr. Jackson opened the envelope containing his school report and read the contents, that the document in question was not exactly a paean of praise from beginning to end. But he was late, as usual. Mike always was late for breakfast in... more...

Preface Who says that English folk have no fairy-tales of their own? The present volume contains only a selection out of some 140, of which I have found traces in this country. It is probable that many more exist. A quarter of the tales in this volume, have been collected during the last ten years or so, and some of them have not been hitherto published. Up to 1870 it was equally said of France and of... more...

Paris: 1783. “Coward! Coward! Coward!” The words rang out, clear, strident, passionate, in a crescendo of agonised humiliation. The boy, quivering with rage, had sprung to his feet, and, losing his balance, he fell forward clutching at the table, whilst with a convulsive movement of the lids, he tried in vain to suppress the tears of shame which were blinding him. “Coward!” He tried to shout... more...

I. There is not in all Paris a house better kept or more inviting-looking than No. 23 in Grange Street. As soon as you enter, you are struck by a minute, extreme neatness, which reminds you of Holland, and almost sets you a-laughing. The neighbors might use the brass plate on the door as a mirror to shave in; the stone floor is polished till it shines; and the woodwork of the staircase is varnished to... more...