Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Oscar Wilde
Oscar Wilde, an Irish poet and playwright born in 1854, is renowned for his sharp wit, flamboyant style, and memorable works such as "The Picture of Dorian Gray" and "The Importance of Being Earnest." A leading figure in the aesthetic movement, Wilde's life and career were marked by his brilliant writing as well as his scandalous imprisonment for homosexuality, which led to his downfall. Despite his tragic end in 1900, Wilde's legacy endures through his profound influence on literature and popular culture.
Author's Books:
Sort by:
by:
Oscar Wilde
CHAPTER 1 The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could...
more...
by:
Oscar Wilde
The mystery of love is greater than the mystery of death. Women are made to be loved, not to be understood. It is absurd to have a hard and fast rule about what one should read and what one shouldn't. Moren than half of modern culture depends on what one shouldn't read. Women, as someone says, love with their ears, just as men love with their eyes, if they ever love at all. It is better to be...
more...
by:
Oscar Wilde
FIRST ACT SCENE Morning-room in Algernon’s flat in Half-Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room. [Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.] Algernon. Did you hear what I was playing, Lane? Lane. I didn’t think it polite to listen, sir. Algernon. I’m sorry...
more...
by:
Oscar Wilde
DE PROFUNDIS . . . Suffering is one very long moment. We cannot divide it by seasons. We can only record its moods, and chronicle their return. With us time itself does not progress. It revolves. It seems to circle round one centre of pain. The paralysing immobility of a life every circumstance of which is regulated after an unchangeable pattern, so that we eat and drink and lie down and...
more...
by:
Oscar Wilde
ACT I SCENE I The palace of the king of burmah. The scene is laid in the Hall of a Hundred Doors. In the distance can be seen the moat, the waiting elephants, and the peacocks promenading proudly in the blinding sunshine of late afternoon. The scene discovers king meng beng seated on a raised cushion sewn with rubies, under a canopy supported by four attendants, motionless as bronze figures. By...
more...
by:
Oscar Wilde
INTRODUCTION The editor of writings by any author not long deceased is censured sooner or later for his errors of omission or commission. I have decided to err on the side of commission and to include in the uniform edition of Wilde’s works everything that could be identified as genuine. Wilde’s literary reputation has survived so much that I think it proof against any exhumation of articles...
more...
by:
Oscar Wilde
PROLOGUE. Scene.—A Russian Inn. Large door opening on snowy landscape at back of stage. Peter Sabouroff and Michael. Peter (warming his hands at a stove). Has Vera not come back yet, Michael? Mich. No, Father Peter, not yet; 'tis a good three miles to the post office, and she has to milk the cows besides, and that dun one is a rare plaguey creature for a wench to handle. Peter. Why didn't...
more...
by:
Oscar Wilde
FIRST ACT SCENE The octagon room at Sir Robert Chiltern’s house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands lady chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large...
more...
by:
Oscar Wilde
HOW THEY STRUCK A CONTEMPORARY There is such a thing as robbing a story of its reality by trying to make it too true, and The Black Arrow is so inartistic as not to contain a single anachronism to boast of, while the transformation of Dr. Jekyll reads dangerously like an experiment out of the Lancet. As for Mr. Rider Haggard, who really has, or had once, the makings of a perfectly magnificent liar,...
more...