INTRODUCTION English verse allegory, humorous or serious, political or moral, has deep roots; a reprint such as the present is clearly no place for a discussion of the subject at large: it need only be recalled here that to the age that produced The Pilgrim's Progress the art form was not new. Throughout his life Dryden had his enemies, Prior and Montague in their satire of The Hind and the... more...

INTRODUCTION The extreme rarity of The Death-Wake is a reason for its republication, which may or may not be approved of by collectors. Of the original edition the Author says that more than seventy copies were sold in the first week of publication, but thereafter the publisher failed in business. Mr. Stoddart recovered the sheets of his poem, and his cook gradually, and perhaps not injudiciously,... more...

A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...

SeeMeBe(kyndeAgayneMy payneReteyne(in myndeMy swete bloodeOn the roodeDyde the good(my broderMy face ryght redMyn armes spredMy woundes bled(thynke none oderBeholde thou my sydeWounded so ryght wydeBledynge sore that tyde(all for thyn owne sakeThus for the I smertedWhy arte þharde hertedBe by me conuerted(& thy swerynge aslakeTere me nowe no moreMy woundes are soreLeue swerynge therfore(and come to... more...

Late one evening, when the native village was wrapped in slumber, Temana and I brought our sleeping-mats down to the boat-shed, and spread them upon the white, clinking sand. For here, out upon the open beach, we could feel a breath of the cooling sea-breeze, denied to the village houses by reason of the thick belt of palms which encompassed them on three sides. And then we were away from Malepa's... more...

CHAPTER I THE ROVER BOYS IN SAN FRANCISCO "Well, Dick, here we are in San Francisco at last." "Yes, Tom, and what a fine large city it is." "We'll have to take care, or we'll get lost," came from a third boy, the youngest of the party. "Just listen to Sam!" cried Tom Rover. "Get lost! As if we weren't in the habit of taking care of ourselves."... more...

THE LOST CHILD. Remember? Yes, I remember well that time when the disagreement arose between Sam Buckley and Cecil, and how it was mended. You are wrong about one thing, General; no words ever passed between those two young men: death was between them before they had time to speak. I will tell you the real story, old as I am, as well as either of them could tell it for themselves; and as I tell it I... more...

THE BIRD SOLDIER. Little bird! you had better let that cannon alone; I am afraid you will soon fall by its side. But what are you firing at? You don’t mean to let us see; never mind—only be sure that you don’t kill yourself, nor any body else. Can it be that you are doing all that for play? If so, you must be very fond of fire-works. But you hardly look cross enough to kill any body. If you do... more...

CHAPTER I. INTRODUCTORY. The claim which the intellectual and religious life of England in the eighteenth century has upon our interest has been much more generally acknowledged of late years than was the case heretofore. There had been, for the most part, a disposition to pass it over somewhat slightly, as though the whole period were a prosaic and uninteresting one. Every generation is apt to... more...

SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter... more...