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Friedrich Schiller
Friedrich Schiller (1759–1805) was a seminal German playwright, poet, and philosopher, known for his profound influence on German literature and drama. His notable works include "The Robbers," "William Tell," and "Ode to Joy," the latter of which was famously set to music by Beethoven in his Ninth Symphony. Schiller's writings often explored themes of freedom, justice, and the struggle against tyranny, making him a pivotal figure in the Sturm und Drang movement and German Romanticism.
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The present is the best collected edition of the important works of Schiller which is accessible to readers in the English language. Detached poems or dramas have been translated at various times since the first publication of the original works; and in several instances these versions have been incorporated into this collection. Schiller was not less efficiently qualified by nature for an historian...
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Now first translated into English. This play is to be regarded merely as a dramatic narrative in which, for the purpose of tracing out the innermost workings of the soul, advantage has been taken of the dramatic method, without otherwise conforming to the stringent rules of theatrical composition, or seeking the dubious advantage of stage adaptation. It must be admitted as somewhat inconsistent that...
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SCENE I. THIBAUT D'ARC. His Three Daughters. Three young Shepherds,their Suitors. THIBAUT.Ay, my good neighbors! we at least to-dayAre Frenchmen still, free citizens and lordsOf the old soil which our forefathers tilled.Who knows whom we to-morrow must obey?For England her triumphal banner wavesFrom every wall: the blooming fields of FranceAre trampled down beneath her chargers' hoofs;Paris...
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BOOK I. FROM THE PAPERS OF COUNT O——— I am about to relate an adventure which to many will appear incredible, but of which I was in great part an eye-witness. The few who are acquainted with a certain political event will, if indeed these pages should happen to find them alive, receive a welcome solution thereof. And, even to the rest of my readers, it will be, perhaps, important as a...
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SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter...
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POEMS OF THE FIRST PERIOD. HECTOR AND ANDROMACHE. [This and the following poem are, with some alterations, introducedin the Play of "The Robbers."] ANDROMACHE.Will Hector leave me for the fatal plain,Where, fierce with vengeance for Patroclus slain,Stalks Peleus' ruthless son?Who, when thou glid'st amid the dark abodes,To hurl the spear and to revere the gods,Shall teach thine orphan...
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SCENE I. A common apartment in the Castle of Fotheringay. HANNAH KENNEDY, contending violently with PAULET, who is aboutto break open a closet; DRURY with an iron crown. KENNEDY.How now, sir? what fresh outrage have we here?Back from that cabinet! PAULET.Whence came the jewel?I know 'twas from an upper chamber thrown;And you would bribe the gardener with your trinkets.A curse on woman's...
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SCENE I. The Royal Gardens in Aranjuez. CARLOS and DOMINGO. DOMINGO.Our pleasant sojourn in AranjuezIs over now, and yet your highness quitsThese joyous scenes no happier than before.Our visit hath been fruitless. Oh, my prince,Break this mysterious and gloomy silence!Open your heart to your own father's heart!A monarch never can too dearly buyThe peace of his own son—his only son.[CARLOS looks...
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SUPPRESSED POEMS. THE JOURNALISTS AND MINOS. I chanced the other eve,—But how I ne'er will tell,—The paper to receive.That's published down in hell. In general one may guess,I little care to seeThis free-corps of the pressGot up so easily; But suddenly my eyesA side-note chanced to meet,And fancy my surpriseAt reading in the sheet:— "For twenty weary springs"(The post from...
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SCENE I. A spacious hall, supported on columns, with entrances on both sides;at the back of the stage a large folding-door leading to a chapel. DONNA ISABELLA in mourning; the ELDERS OF MESSINA. ISABELLA.Forth from my silent chamber's deep recesses,Gray Fathers of the State, unwillinglyI come; and, shrinking from your gaze, upliftThe veil that shades my widowed brows: the lightAnd glory of my days...
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