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Friedrich Schiller
Friedrich Schiller (1759–1805) was a seminal German playwright, poet, and philosopher, known for his profound influence on German literature and drama. His notable works include "The Robbers," "William Tell," and "Ode to Joy," the latter of which was famously set to music by Beethoven in his Ninth Symphony. Schiller's writings often explored themes of freedom, justice, and the struggle against tyranny, making him a pivotal figure in the Sturm und Drang movement and German Romanticism.
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The present is the best collected edition of the important works of Schiller which is accessible to readers in the English language. Detached poems or dramas have been translated at various times since the first publication of the original works; and in several instances these versions have been incorporated into this collection. Schiller was not less efficiently qualified by nature for an historian...
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SUPPRESSED POEMS. THE JOURNALISTS AND MINOS. I chanced the other eve,—But how I ne'er will tell,—The paper to receive.That's published down in hell. In general one may guess,I little care to seeThis free-corps of the pressGot up so easily; But suddenly my eyesA side-note chanced to meet,And fancy my surpriseAt reading in the sheet:— "For twenty weary springs"(The post from...
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SCENE I. THIBAUT D'ARC. His Three Daughters. Three young Shepherds,their Suitors. THIBAUT.Ay, my good neighbors! we at least to-dayAre Frenchmen still, free citizens and lordsOf the old soil which our forefathers tilled.Who knows whom we to-morrow must obey?For England her triumphal banner wavesFrom every wall: the blooming fields of FranceAre trampled down beneath her chargers' hoofs;Paris...
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SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter...
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POEMS OF THE FIRST PERIOD. HECTOR AND ANDROMACHE. [This and the following poem are, with some alterations, introducedin the Play of "The Robbers."] ANDROMACHE.Will Hector leave me for the fatal plain,Where, fierce with vengeance for Patroclus slain,Stalks Peleus' ruthless son?Who, when thou glid'st amid the dark abodes,To hurl the spear and to revere the gods,Shall teach thine orphan...
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The reason passes, like the heart, through certain epochs and transitions, but its development is not so often portrayed. Men seem to have been satisfied with unfolding the passions in their extremes, their aberration, and their results, without considering how closely they are bound up with the intellectual constitution of the individual. Degeneracy in morals roots in a one-sided and wavering...
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INTRODUCTION. The special subject of the greater part of the letters and essays of Schiller contained in this volume is Aesthetics; and before passing to any remarks on his treatment of the subject it will be useful to offer a few observations on the nature of this topic, and on its treatment by the philosophical spirit of different ages. First, then, aesthetics has for its object the vast realm of the...
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SCENE I. A common apartment in the Castle of Fotheringay. HANNAH KENNEDY, contending violently with PAULET, who is aboutto break open a closet; DRURY with an iron crown. KENNEDY.How now, sir? what fresh outrage have we here?Back from that cabinet! PAULET.Whence came the jewel?I know 'twas from an upper chamber thrown;And you would bribe the gardener with your trinkets.A curse on woman's...
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ACT I.SCENE I.A Saloon in FIESCO'S House. The distant sound of dancing andmusic is heard. LEONORA, masked, and attended by ROSA and ARABELLA, enters hastily. LEONORA (tears off her mask). No more! Not another word! 'Tis as clear as day! (Throwing herself in a chair.) This quite overcomes me—— ARABELLA. My lady! LEONORA (rising.) What, before my eyes! with a notorious coquette! In presence...
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SCENE I. The Royal Gardens in Aranjuez. CARLOS and DOMINGO. DOMINGO.Our pleasant sojourn in AranjuezIs over now, and yet your highness quitsThese joyous scenes no happier than before.Our visit hath been fruitless. Oh, my prince,Break this mysterious and gloomy silence!Open your heart to your own father's heart!A monarch never can too dearly buyThe peace of his own son—his only son.[CARLOS looks...
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