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Friedrich Schiller
Friedrich Schiller (1759–1805) was a seminal German playwright, poet, and philosopher, known for his profound influence on German literature and drama. His notable works include "The Robbers," "William Tell," and "Ode to Joy," the latter of which was famously set to music by Beethoven in his Ninth Symphony. Schiller's writings often explored themes of freedom, justice, and the struggle against tyranny, making him a pivotal figure in the Sturm und Drang movement and German Romanticism.
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The two counts were a few weeks after their arrest conveyed to Ghent under an escort of three thousand Spaniards, where they were confined in the citadel for more than eight months. Their trial commenced in due form before the council of twelve, and the solicitor-general, John Du Bois, conducted the proceedings. The indictment against Egmont consisted of ninety counts, and that against Horn of sixty....
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SCENE I. Sutlers' tents—in front, a Slop-shop. Soldiers of all colors anduniforms thronging about. Tables all filled. Croats and Hulanscooking at a fire. Sutler-woman serving out wine. Soldier-boysthrowing dice on a drum-head. Singing heard from the tent. Enter a Peasant and his Son. SON.Father, I fear it will come to harm,So let us be off from this soldier swarm;But boist'rous mates will...
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THE INVINCIBLE ARMADA. She comes, she comes—the burden of the deeps!Beneath her wails the universal sea!With clanking chains and a new god, she sweeps,And with a thousand thunders, unto thee!The ocean-castles and the floating hosts—Ne'er on their like looked the wild water!—WellMay man the monster name "Invincible."O'er shuddering waves she gathers to thy coasts!The horror that...
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SCENE I. A spacious hall, supported on columns, with entrances on both sides;at the back of the stage a large folding-door leading to a chapel. DONNA ISABELLA in mourning; the ELDERS OF MESSINA. ISABELLA.Forth from my silent chamber's deep recesses,Gray Fathers of the State, unwillinglyI come; and, shrinking from your gaze, upliftThe veil that shades my widowed brows: the lightAnd glory of my days...
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BOOK I. FROM THE PAPERS OF COUNT O——— I am about to relate an adventure which to many will appear incredible, but of which I was in great part an eye-witness. The few who are acquainted with a certain political event will, if indeed these pages should happen to find them alive, receive a welcome solution thereof. And, even to the rest of my readers, it will be, perhaps, important as a...
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SCENE I. THIBAUT D'ARC. His Three Daughters. Three young Shepherds,their Suitors. THIBAUT.Ay, my good neighbors! we at least to-dayAre Frenchmen still, free citizens and lordsOf the old soil which our forefathers tilled.Who knows whom we to-morrow must obey?For England her triumphal banner wavesFrom every wall: the blooming fields of FranceAre trampled down beneath her chargers' hoofs;Paris...
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Now first translated into English. This play is to be regarded merely as a dramatic narrative in which, for the purpose of tracing out the innermost workings of the soul, advantage has been taken of the dramatic method, without otherwise conforming to the stringent rules of theatrical composition, or seeking the dubious advantage of stage adaptation. It must be admitted as somewhat inconsistent that...
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SCENE I. The Royal Gardens in Aranjuez. CARLOS and DOMINGO. DOMINGO.Our pleasant sojourn in AranjuezIs over now, and yet your highness quitsThese joyous scenes no happier than before.Our visit hath been fruitless. Oh, my prince,Break this mysterious and gloomy silence!Open your heart to your own father's heart!A monarch never can too dearly buyThe peace of his own son—his only son.[CARLOS looks...
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ACT I.SCENE I.A Saloon in FIESCO'S House. The distant sound of dancing andmusic is heard. LEONORA, masked, and attended by ROSA and ARABELLA, enters hastily. LEONORA (tears off her mask). No more! Not another word! 'Tis as clear as day! (Throwing herself in a chair.) This quite overcomes me—— ARABELLA. My lady! LEONORA (rising.) What, before my eyes! with a notorious coquette! In presence...
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SCENE I. A common apartment in the Castle of Fotheringay. HANNAH KENNEDY, contending violently with PAULET, who is aboutto break open a closet; DRURY with an iron crown. KENNEDY.How now, sir? what fresh outrage have we here?Back from that cabinet! PAULET.Whence came the jewel?I know 'twas from an upper chamber thrown;And you would bribe the gardener with your trinkets.A curse on woman's...
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