SCENE I. THE DIET AT CRACOW. On the rising of the curtain the Polish Diet is discovered, seatedin the great senate hall. On a raised platform, elevated by threesteps, and surmounted by a canopy, is the imperial throne, theescutcheons of Poland and Lithuania suspended on each side. The KINGseated upon the throne; on his right and left hand his ten royalofficers standing on the platform. Below the... more...

POEMS OF THE FIRST PERIOD. HECTOR AND ANDROMACHE. [This and the following poem are, with some alterations, introducedin the Play of "The Robbers."] ANDROMACHE.Will Hector leave me for the fatal plain,Where, fierce with vengeance for Patroclus slain,Stalks Peleus' ruthless son?Who, when thou glid'st amid the dark abodes,To hurl the spear and to revere the gods,Shall teach thine orphan... more...

POEMS OF THE THIRD PERIOD. THE MEETING. I see her still—by her fair train surrounded,The fairest of them all, she took her place;Afar I stood, by her bright charms confounded,For, oh! they dazzled with their heavenly grace.With awe my soul was filled—with bliss unbounded,While gazing on her softly radiant face;But soon, as if up-borne on wings of fire,My fingers 'gan to sweep the sounding... more...

SCENE I. THIBAUT D'ARC. His Three Daughters. Three young Shepherds,their Suitors. THIBAUT.Ay, my good neighbors! we at least to-dayAre Frenchmen still, free citizens and lordsOf the old soil which our forefathers tilled.Who knows whom we to-morrow must obey?For England her triumphal banner wavesFrom every wall: the blooming fields of FranceAre trampled down beneath her chargers' hoofs;Paris... more...

Now first translated into English. This play is to be regarded merely as a dramatic narrative in which, for the purpose of tracing out the innermost workings of the soul, advantage has been taken of the dramatic method, without otherwise conforming to the stringent rules of theatrical composition, or seeking the dubious advantage of stage adaptation. It must be admitted as somewhat inconsistent that... more...

SCENE I. The Royal Gardens in Aranjuez. CARLOS and DOMINGO. DOMINGO.Our pleasant sojourn in AranjuezIs over now, and yet your highness quitsThese joyous scenes no happier than before.Our visit hath been fruitless. Oh, my prince,Break this mysterious and gloomy silence!Open your heart to your own father's heart!A monarch never can too dearly buyThe peace of his own son—his only son.[CARLOS looks... more...

SCENE I. A spacious hall, supported on columns, with entrances on both sides;at the back of the stage a large folding-door leading to a chapel. DONNA ISABELLA in mourning; the ELDERS OF MESSINA. ISABELLA.Forth from my silent chamber's deep recesses,Gray Fathers of the State, unwillinglyI come; and, shrinking from your gaze, upliftThe veil that shades my widowed brows: the lightAnd glory of my days... more...

SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter... more...