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George Henry Borrow
George Henry Borrow (1803-1881) was an English author known for his travel literature and novels, most notably "The Bible in Spain" and "Lavengro." His works often drew on his extensive travels across Europe and his deep interest in the Romani people and their culture. Borrow's unique storytelling combined his personal adventures with rich cultural and linguistic observations, making his writings a significant contribution to 19th-century literature.
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My Dearest Carreta, I arrived this day at Venice, and though I am exceedingly tired I hasten to write a line to inform you of my well-being. I am now making for home as fast as possible, and I have now nothing to detain me. Since I wrote to you last I have been again in quarantine for two days and a half at Trieste, but I am glad to say that I shall no longer be detained on that account. I was...
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In the following pages I have endeavoured to describe a dream, partly of study, partly of adventure, in which will be found copious notices of books, and many descriptions of life and manners, some in a very unusual form. The scenes of action lie in the British Islands;—pray be not displeased, gentle reader, if perchance thou hast imagined that I was about to conduct thee to distant lands, and didst...
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To the Rev. J. Jowett Willow Lane, St. Giles, Norwich, Feb. 10th, 1833. Revd. and dear Sir,—I have just received your communication, and notwithstanding it is Sunday morning, and the bells with their loud and clear voices are calling me to church, I have sat down to answer it by return of post. It is scarcely necessary for me to say that I was rejoiced to see the Chrestomathie Mandchou, which will...
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My Dear Sir, Many thanks for your interesting and kind letter, in which you do me the honour to ask my opinion respecting the pedigree of your island goblin, le feu follet Belenger; that opinion I cheerfully give, with a promise that it is only an opinion; in hunting for the etymons of these fairy names we can scarcely expect to arrive at any thing like certainty. I suppose you are aware that the name...
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NOTES UPON GEORGE BORROW. I. Borrow as a Splendid Literary Amateur. There are some writers who cannot be adequately criticised—who cannot, indeed, be adequately written about at all—save by those to whom they are personally known. I allude to those writers of genius who, having only partially mastered the art of importing their own individual characteristics into literary forms, end their...
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INTRODUCTION ‘Lavengro’ and ‘The Romany Rye’ are one book, though the former was published in 1851 and the latter not until 1857. After a slumber of six years the dingle re-awakes to life, Lavengro’s hammer shatters the stillness, and the blaze of his forge again lights up its shadows, while all the strange persons of the drama take up their parts at the point where the curtain had been so...
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INTRODUCTION The Russians have three grand popular tales, the subjects of which are thievish adventures. One is called the Story of Klim, another is called the Story of Tim, and the third is called the Story of Tom. Below we present a translation of the Story of Tim. That part of the tale in which Tim inquires of the drowsy Archimandrite as to the person to whom the stolen pelisse is to be awarded,...
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TORD OF HAFSBOROUGH It was Tord of Hafsborough, O’er the verdant wold would ride,And there he lost his hammer of gold, ’Twas lost for so long a tide. It was Tord of Hafsborough, His brother he addressed:“Thou shalt away to the Norland hills, My hammer be thy quest.” It was Lokke Leyemand, A feather robe o’er him drew;And away to the Norland mountains high O’er the...
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THE NIGHTINGALE, OR THE TRANSFORMED DAMSEL I know where stands a Castellaye, Its turrets are so fairly gilt;With silver are its gates inlaid, Its walls of marble stone are built. Within it stands a linden tree, With lovely leaves its boughs are hung,Therein doth dwell a nightingale, And sweetly moves that bird its tongue. A gallant knight came riding by, He heard its dulcet ditty...
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MOLLIE CHARANE “O, Mollie Charane, where got you your gold?” Lone, lone you have left me here.“O not in the curragh, deep under the mould.” Lone, lone, and void of cheer. “O, Mollie Charane, where got you your stock?” Lone, lone you have left me here.“O not in the curragh from under a block.” Lone, lone, and void of cheer. “O, Mollie Charane, where got you your...
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