INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps... more...

ACT I SCENE I The study of JOHN BUILDER in the provincial town of Breconridge.A panelled room wherein nothing is ever studied, except perhapsBUILDER'S face in the mirror over the fireplace. It is, however,comfortable, and has large leather chairs and a writing table in thecentre, on which is a typewriter, and many papers. At the back is alarge window with French outside shutters, overlooking the... more...

ACT I SCENE I The curtain rises on the BARTHWICK'S dining-room, large, modern, and well furnished; the window curtains drawn. Electric light is burning. On the large round dining-table is set out a tray with whisky, a syphon, and a silver cigarette-box. It is past midnight. A fumbling is heard outside the door. It is opened suddenly; JACK BARTHWICK seems to fall into the room. He stands holding by... more...

ACT I The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still. Our object is to catch our two chief characters unawares; they are Darkness and Light. The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine. The Darkness and Light,... more...

ACT I SCENE I The scene is a well-lighted, and large, oak-panelled hall, withan air of being lived in, and a broad, oak staircase. Thedining-room, drawing-room, billiard-room, all open into it; andunder the staircase a door leads to the servants' quarters. Ina huge fireplace a log fire is burning. There are tiger-skinson the floor, horns on the walls; and a writing-table againstthe wall opposite... more...

INTRODUCTORY NOTE ROBERT BROWNING stands, in respect to his origin and his career, in marked contrast to the two aristocratic poets beside whose dramas his "Blot in the 'Scutcheon" is here printed. His father was a bank clerk and a dissenter at a time when dissent meant exclusion from Society; the poet went neither to one of the great public schools nor to Oxford or Cambridge; and no... more...

ACT I It is Ascension Day in a village of the West. In the lowpanelled hall-sittingroom of the BURLACOMBE'S farmhouse on thevillage green, MICHAEL STRANGWAY, a clerical collar round histhroat and a dark Norfolk jacket on his back, is playing theflute before a very large framed photograph of a woman, which isthe only picture on the walls. His age is about thirty-five hisfigure thin and very upright... more...

CHAPTER I. THE SECRET MEETING.   wo days after the holidays began, the four younger members of the Danvers family received a note summoning them to a secret meeting at half-past seven the next morning in the summer-house. Drusie, who had written and delivered the notes, including one to herself, was the first to reach the appointed place; and when, a few minutes later, the other three arrived, they... more...

THE OVERTURE. Day of the month and year, November the thirtieth, one thousand eight hundred and thirty-five.  London Time by the great clock of Saint Paul’s, ten at night.  All the lesser London churches strain their metallic throats.  Some, flippantly begin before the heavy bell of the great cathedral; some, tardily begin three, four, half a dozen, strokes behind it; all are in sufficiently near... more...

CHAPTER I. 'For be it knownThat their saint's honour is their own.'—SCOTT. The town of Micklethwayte was rising and thriving. There were salubrious springs which an enterprising doctor had lately brought into notice. The firm of Greenleaf and Dutton manufactured umbrellas in large quantities, from the stout weather-proof family roof down to the daintiest fringed toy of a parasol. There... more...