I.—FIRST, THE CRITICS, AND THEN A WORD ON DICKENS The critics of to-day are suffering from a sort of epidemic of kindness. They have accustomed themselves to the administration of praise in unmeasured doses. They are not, taking them in the mass, critics any longer, but merely professional admirers. They have ceased to be useful to the public, and are becoming dangerous to the interests of letters.... more...

PREFACE. Almost every English boy can be taught to write clearly, so far at least as clearness depends upon the arrangement of words. Force, elegance, and variety of style are more difficult to teach, and far more difficult to learn; but clear writing can be reduced to rules. To teach the art of writing clearly is the main object of these Rules and Exercises. Ambiguity may arise, not only from bad... more...

I. ORIGIN OF THE WORK. About a generation ago Mr. Matthew Arnold twitted our nation with the fact that "the journeyman work of literature" was much better done in France—the books of reference, the biographical dictionaries, and the translations from the classics. He did not especially mention dictionaries of the language, because he was speaking in praise of academies, and, as far as France... more...

PREFATORY NOTE. The title-page sufficiently sets forth the end this little book is intended to serve. For convenience' sake I have arranged in alphabetical order the subjects treated of, and for economy's sake I have kept in mind that "he that uses many words for the explaining of any subject doth, like the cuttle-fish, hide himself in his own ink." The curious inquirer who sets... more...

CHAPTER I It was Mumford who saw the advertisement and made the suggestion. His wife gave him a startled look. 'But—you don't mean that it's necessary? Have we been extrav—' 'No, no! Nothing of the kind. It just occurred to me that some such arrangement might be pleasant for you. You must feel lonely, now and then, during the day, and as we have plenty of room—'... more...

CHAPTER I. ACROSS LONDON BRIDGE A gentleman, noteworthy for a lively countenance and a waistcoat to match it, crossing London Bridge at noon on a gusty April day, was almost magically detached from his conflict with the gale by some sly strip of slipperiness, abounding in that conduit of the markets, which had more or less adroitly performed the trick upon preceding passengers, and now laid this one... more...

CHAPTER I—THE ISLAND OF SILVER-STORE It was in the year of our Lord one thousand seven hundred and forty-four, that I, Gill Davis to command, His Mark, having then the honour to be a private in the Royal Marines, stood a-leaning over the bulwarks of the armed sloop Christopher Columbus, in the South American waters off the Mosquito shore. My lady remarks to me, before I go any further, that there is... more...

CHAPTER I. One of the children brought me a photograph album, long ago finished and closed, and showed me a faded and blurred figure over which there had been a little dispute. Was it Hercules with club and lion-skin, or was it a gentleman I had known? Ah me! how soon a man's place knoweth him no more! What fresh recollections that majestic form awoke in me—the massive features, with the... more...

PREFACE. An indistinct recollection of the very pretty little tale, called "The Bellows-Mender," suggested the plot of this Drama. The incidents are, however, greatly altered from those in the tale, and the characters entirely re-cast. Having long had a wish to illustrate certain periods of the French history, so, in the selection of the date in which the scenes of this play are laid, I saw... more...

CHAPTER I Wilfrid Athel went down invalided a few days after the beginning of Trinity term. The event was not unanticipated. At Christmas it had been clear enough that he was overtaxing himself; his father remarked on the fact with anxiety, and urged moderation, his own peculiar virtue. Wilfrid, whose battle with circumstances was all before him, declined to believe that the body was anything but the... more...