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Edward Bulwer Lytton Lytton
Edward Bulwer Lytton (1803–1873) was a prominent English writer, politician, and playwright, known for his prolific output in various literary genres. He authored the famous opening line "It was a dark and stormy night" in his novel "Paul Clifford" (1830) and popularized phrases such as "the pen is mightier than the sword." Lytton also served in the British Parliament and held the title of 1st Baron Lytton, significantly influencing Victorian literature and politics.
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PREFACE. An indistinct recollection of the very pretty little tale, called "The Bellows-Mender," suggested the plot of this Drama. The incidents are, however, greatly altered from those in the tale, and the characters entirely re-cast. Having long had a wish to illustrate certain periods of the French history, so, in the selection of the date in which the scenes of this play are laid, I saw...
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CHAPTER XVIII. IN his room, solitary and brooding, sat the defeated hero of a hundred fights. It was now twilight; but the shutters had been partially closed all day, in order to exclude the sun, which had never before been unwelcome to Tom Bowles, and they still remained so, making the twilight doubly twilight, till the harvest moon, rising early, shot its ray through the crevice, and forced a silvery...
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CHAPTER I. SIR PETER CHILLINGLY, of Exmundham, Baronet, F.R.S. and F.A.S., was the representative of an ancient family, and a landed proprietor of some importance. He had married young; not from any ardent inclination for the connubial state, but in compliance with the request of his parents. They took the pains to select his bride; and if they might have chosen better, they might have chosen worse,...
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CHAPTER I. THE ANTE-CHAMBER. The Tragi-Comedy of Court Intrigue, which had ever found its principal theatre in Spain since the accession of the House of Austria to the throne, was represented with singular complication of incident and brilliancy of performance during the reign of Philip the Third. That monarch, weak, indolent, and superstitious, left the reins of government in the hands of the Duke of...
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CHAPTER I. "Sir—sir, it is a boy!" "A boy," said my father, looking up from his book, and evidently much puzzled: "what is a boy?" Now my father did not mean by that interrogatory to challenge philosophical inquiry, nor to demand of the honest but unenlightened woman who had just rushed into his study, a solution of that mystery, physiological and psychological, which has...
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CHAPTER I. In the year 18— I settled as a physician at one of the wealthiest of our great English towns, which I will designate by the initial L——. I was yet young, but I had acquired some reputation by a professional work, which is, I believe, still amongst the received authorities on the subject of which it treats. I had studied at Edinburgh and at Paris, and had borne away from both those...
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Chapter I. I am a native of _____, in the United States of America. My ancestors migrated from England in the reign of Charles II.; and my grandfather was not undistinguished in the War of Independence. My family, therefore, enjoyed a somewhat high social position in right of birth; and being also opulent, they were considered disqualified for the public service. My father once ran for Congress, but...
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CHAPTER I. In the gardens at Naples, one summer evening in the last century, some four or five gentlemen were seated under a tree drinking their sherbet and listening, in the intervals of conversation, to the music which enlivened that gay and favorite resort of an indolent population. One of this little party was a young Englishman who had been the life of the whole group, but who for the last few...
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CHAPTER I. His teeth he still did grind, And grimly gnash, threatening revenge in vain.—SPENSER. IT is now time to return to Lord Vargrave. His most sanguine hopes were realized; all things seemed to prosper. The hand of Evelyn Cameron was pledged to him, the wedding-day was fixed. In less than a week she was to confer upon the ruined peer a splendid dowry, that would...
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CHAPTER XVII. When the scenes in some long diorama pass solemnly before us, there is sometimes one solitary object, contrasting, perhaps, the view of stately cities or the march of a mighty river, that halts on the eye for a moment, and then glides away, leaving on the mind a strange, comfortless, undefined impression. Why was the object presented to us? In itself it seemed comparatively insignificant....
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