CHAPTER I. THE ENCHANTER AND THE WARRIOR. It was the summer of the year 1491, and the armies of Ferdinand andIsabel invested the city of Granada. The night was not far advanced; and the moon, which broke through the transparent air of Andalusia, shone calmly over the immense and murmuring encampment of the Spanish foe, and touched with a hazy light the snow- capped summits of the Sierra Nevada,... more...

THE IDEAL WORLD I. THE IDEAL WORLD,—ITS REALM IS EVERYWHERE AROUND US; ITS INHABITANTS ARETHE IMMORTAL PERSONIFICATIONS OF ALL BEAUTIFUL THOUGHTS; TO THAT WORLD WEATTAIN BY THE REPOSE OF THE SENSES. AROUND "this visible diurnal sphere"There floats a World that girds us like the space;On wandering clouds and gliding beams careerIts ever-moving murmurous Populace.There, all the lovelier... more...

CHAPTER I. THE ENCHANTER AND THE WARRIOR. It was the summer of the year 1491, and the armies of Ferdinand and Isabel invested the city of Granada. The night was not far advanced; and the moon, which broke through the transparent air of Andalusia, shone calmly over the immense and murmuring encampment of the Spanish foe, and touched with a hazy light the snow-capped summits of the Sierra Nevada,... more...

When Walter left his uncle, he hurried, scarcely conscious of his steps, towards his favourite haunt by the water-side. From a child, he had singled out that scene as the witness of his early sorrows or boyish schemes; and still, the solitude of the place cherished the habit of his boyhood. Long had he, unknown to himself, nourished an attachment to his beautiful cousin; nor did he awaken to the secret... more...

PREFACE. An indistinct recollection of the very pretty little tale, called "The Bellows-Mender," suggested the plot of this Drama. The incidents are, however, greatly altered from those in the tale, and the characters entirely re-cast. Having long had a wish to illustrate certain periods of the French history, so, in the selection of the date in which the scenes of this play are laid, I saw... more...

CHAPTER I. THE DEATH-BED OF JOHN VERNON.—HIS DYING WORDS.—DESCRIPTION OF HIS DAUGHTER, THE HEROINE.—THE OATH. "Is the night calm, Constance?" "Beautiful! the moon is up." "Open the shutters wider, there. It is a beautiful night. How beautiful! Come hither, my child." The rich moonlight that now shone through the windows streamed on little that it could invest with poetical... more...

CHAPTER XVIII. IN his room, solitary and brooding, sat the defeated hero of a hundred fights. It was now twilight; but the shutters had been partially closed all day, in order to exclude the sun, which had never before been unwelcome to Tom Bowles, and they still remained so, making the twilight doubly twilight, till the harvest moon, rising early, shot its ray through the crevice, and forced a silvery... more...

CHAPTER I. In the year 18— I settled as a physician at one of the wealthiest of our great English towns, which I will designate by the initial L——. I was yet young, but I had acquired some reputation by a professional work, which is, I believe, still amongst the received authorities on the subject of which it treats. I had studied at Edinburgh and at Paris, and had borne away from both those... more...

CHAPTER I.   Who art thou, fair one, who usurp'st the place  Of Blanch, the lady of the matchless grace?—LAMB. IT was towards the evening of a day in early April that two ladies were seated by the open windows of a cottage in Devonshire. The lawn before them was gay with evergreens, relieved by the first few flowers and fresh turf of the reviving spring; and at a distance, through an opening... more...

Much has been written by critics, especially by those in Germany (the native land of criticism), upon the important question, whether to please or to instruct should be the end of Fiction—whether a moral purpose is or is not in harmony with the undidactic spirit perceptible in the higher works of the imagination. And the general result of the discussion has been in favour of those who have contended... more...