Edward Bulwer Lytton Lytton

Edward Bulwer Lytton Lytton
Edward Bulwer Lytton (1803–1873) was a prominent English writer, politician, and playwright, known for his prolific output in various literary genres. He authored the famous opening line "It was a dark and stormy night" in his novel "Paul Clifford" (1830) and popularized phrases such as "the pen is mightier than the sword." Lytton also served in the British Parliament and held the title of 1st Baron Lytton, significantly influencing Victorian literature and politics.

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CHAPTER XXI. Randal's mind was made up. All he had learned in regard to Levy had confirmed his resolves or dissipated his scruples. He had started from the improbability that Pesehiera would offer, and the still greater improbability that Peschiera would pay him, L10,000 for such information or aid as he could bestow in furthering the count's object. But when Levy took such proposals entirely... more...

CHAPTER XVIII. The streets swarmed with the populace troops as they passed to their destination. Among those of the Mobiles who especially caught the eye were two companies in which Enguerrand de Vandemar and Victor de Mauleon commanded. In the first were many young men of good family, or in the higher ranks of the bourgeoisie, known to numerous lookers-on; there was something inspiriting in their gay... more...

CHAPTER I. Who art thou, fair one, who usurp'st the placeOf Blanch, the lady of the matchless grace?—LAMB. IT was towards the evening of a day in early April that two ladies were seated by the open windows of a cottage in Devonshire. The lawn before them was gay with evergreens, relieved by the first few flowers and fresh turf of the reviving spring; and at a distance, through an opening amongst... more...

CHAPTER I. I'll tell you a story if you please to attend. G. KNIGHT:Limbo. It was the evening of a soft, warm day in the May of 17—. The sun had already set, and the twilight was gathering slowly over the large, still masses of wood which lay on either side of one of those green lanes so peculiar to England. Here and there, the outline of the trees irregularly shrunk back from the road, leaving... more...

CHAPTER I.   YOU still are what you were, sir!    . . . . . .  . . . With most quick agility could turn  And return; make knots and undo them,  Give forked counsel.—Volpone, or the Fox. BEFORE a large table, covered with parliamentary papers, sat Lumley Lord Vargrave. His complexion, though still healthy, had faded from the freshness of hue which distinguished him in youth. His features,... more...

CHAPTER I. It was a bright day in the early spring of 1869. All Paris seemed to have turned out to enjoy itself. The Tuileries, the Champs Elysees, the Bois de Boulogne, swarmed with idlers. A stranger might have wondered where Toil was at work, and in what nook Poverty lurked concealed. A millionaire from the London Exchange, as he looked round on the magasins, the equipages, the dresses of the women;... more...

CHAPTER I.   THERE is continual spring and harvest here—    Continual, both meeting at one time;  For both the boughs do laughing blossoms bear,    And with fresh colours deck the wanton prime;  And eke at once the heavy trees they climb,    Which seem to labour under their fruit's load. SPENSER: The Garden of Adonis.                     Vis boni  In ipsa... more...

CHAPTER I.   Luce. Is the wind there?           That makes for me.  Isab. Come, I forget a business.                 Wit without Money. LORD VARGRAVE'S travelling-carriage was at his door, and he himself was putting on his greatcoat in his library, when Lord Saxingham entered. "What! you are going into the country?" "Yes; I wrote you word,—to see Lisle... more...

I. O'er royal London, in luxuriant May,While lamps yet twinkled, dawning crept the day.Home from the hell the pale-eyed gamester steals;Home from the ball flash jaded Beauty's wheels;The lean grimalkin, who, since night began,Hath hymn'd to love amidst the wrath of man,Scared from his raptures by the morning star,Flits finely by, and threads the area bar;From fields suburban rolls the... more...

Much has been written by critics, especially by those in Germany (the native land of criticism), upon the important question, whether to please or to instruct should be the end of Fiction—whether a moral purpose is or is not in harmony with the undidactic spirit perceptible in the higher works of the imagination. And the general result of the discussion has been in favour of those who have contended... more...

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