Showing: 7111-7120 results of 23918

The Sword of Welleran Where the great plain of Tarphet runs up, as the sea in estuaries, among the Cyresian mountains, there stood long since the city of Merimna well-nigh among the shadows of the crags. I have never seen a city in the world so beautiful as Merimna seemed to me when first I dreamed of it. It was a marvel of spires and figures of bronze, and marble fountains, and trophies of fabulous... more...

WASTE At Shapters, George Farrant's house in Hertfordshire. Ten o'clock on a Sunday evening in summer. Facing you at her piano by the window, from which she is protected by a little screen, sits Mrs. Farrant; a woman of the interesting age, clear-eyed and all her face serene, except for a little pucker of the brows which shows a puzzled mind upon some important matters. To become almost an... more...

THE MAGICIAN'S SHOW BOX. There was once a boy, named Gaspar, whose uncle made voyages to China, and brought him home chessmen, queer toys, porcelain vases, embroidered skullcaps, and all kinds of fine things. He gave him such grand descriptions of foreign countries and costumes, that Gaspar was not at all satisfied to live in a small village, where the people dressed in the most commonplace way.... more...

SECTION I (Aranyaka Parva) Om! Having bowed down to Narayana, and Nara the foremost of male beings, and the goddess Saraswati also, must the word Jaya be uttered. Janamejaya said, "O thou foremost of regenerate ones, deceitfully defeated at dice by the sons of Dhritarashtra and their counsellors, incensed by those wicked ones that thus brought about a fierce animosity, and addressed in language... more...

INTRODUCTION A Vindication of the Press is one of Defoe's most characteristic pamphlets and for this reason as well as for its rarity deserves reprinting. Besides the New York Public Library copy, here reproduced, I know of but one copy, which is in the Indiana University Library. Neither the Bodleian nor the British Museum has a copy. Like many items in the Defoe canon, this tract must be... more...

SECTION I (Pandava-Pravesa Parva) OM! Having bowed down to Narayana, and Nara, the most exalted of male beings, and also to the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, "How did my great-grandfathers, afflicted with the fear of Duryodhana, pass their days undiscovered in the city of Virata? And, O Brahman, how did the highly blessed Draupadi, stricken with woe, devoted to... more...

CHAPTER I Cherry Strickland came in the door of the Strickland house, and shut it behind her, and stood so, with her hands behind her on the knob, and her slender body leaning forward, and her breath rising and falling on deep, ecstatic breaths. It was May in California, she was just eighteen, and for twenty-one minutes she had been engaged to be married. She hardly knew why, after that last farewell... more...

ANALYSIS OF THE FIRST PART. THE Poem begins with the description of an obscure village, and of the pleasing melancholy which it excites on being revisited after a long absence. This mixed sensation is an effect of the Memory. From an effect we naturally ascend to the cause; and the subject proposed is then unfolded with an investigation of the nature and leading principles of this faculty. It is... more...

Chapter One. Volunteers for Texas. “I’ll go!” This laconism came from the lips of a young man who was walking along the Levee of New Orleans. Just before giving utterance to it he had made a sudden stop, facing a dead wall, enlivened, however, by a large poster, on which were printed, in conspicuous letters, the words— “Volunteers for Texas!” Underneath, in smaller type, was a proclamation,... more...

I John's Story The Heart-strings of God. There's a tense tugging at the heart of God. The heart-strings of God are tight, as tight as tight can be. For there's a tender heart that's easily tugged at one end, and an insistent tugging at the other. The tugging never ceases. The strings never slack. They give no signs of easing or getting loose. It's the tug of man's sore... more...