LOCOMOTIVE FOR ST. GOTHARD RAILWAY. We give engravings of one of a type of eight-coupled locomotives constructed for service on the St. Gothard Railway by Herr T.A. Maffei, of Munich. As will be seen from our illustrations, the engine has outside cylinders, these being 20.48 in. in diameter, with 24 in. stroke, and as the diameter of the coupled wheels is 3 ft. 10 in., the tractive force which the... more...

All round the year the changing suns and rains Beat on men’s work—to wreck and to decay— But nature builds more perfectly than they, Her changing unchanged sea resists, remains. All round the year new flowers spring up to shew How gloriously life is more strong than death; And in our hearts are seeds of love and faith, Ah, sun and showers, be kind, and let them grow.   RESURGAM. Swift pass the... more...

I At eight o'clock in the inner vestibule of the Auditorium Theatre by the window of the box office, Laura Dearborn, her younger sister Page, and their aunt—Aunt Wess'—were still waiting for the rest of the theatre-party to appear. A great, slow-moving press of men and women in evening dress filled the vestibule from one wall to another. A confused murmur of talk and the shuffling of many... more...

Sept. 1st. Up pretty betimes, and after a little at my viall to my office, where we sat all the morning, and I got my bill among others for my carved work (which I expected to have paid for myself) signed at the table, and hope to get the money back again, though if the rest had not got it paid by the King, I never intended nor did desire to have him pay for my vanity. In the evening my brother John... more...

FIGHTING SHRIMPLIN Custer felt it his greatest privilege to sit of a Sunday morning in his mother's clean and burnished kitchen and, while she washed the breakfast dishes, listen to such reflections as his father might care to indulge in. On these occasions the senior Shrimplin, commonly called Shrimp by his intimates, was the very picture of unconventional ease-taking as he lolled in his chair... more...

CHAPTER I WHY THOMAS WINGFIELD TELLS HIS TALE Now glory be to God who has given us the victory! It is true, the strength of Spain is shattered, her ships are sunk or fled, the sea has swallowed her soldiers and her sailors by hundreds and by thousands, and England breathes again. They came to conquer, to bring us to the torture and the stake—to do to us free Englishmen as Cortes did by the Indians of... more...

CHAPTER I. A POOR START. "Give it to him, Terry—that's the style!" "Punch his head!" "Hit him in the face, Mike!" "Good for you, Terry—that was a daisy!" "Stick to him, me hearty; ye'll lick him yet!" The shouts came from a ring of ragged, dirty youngsters, who were watching with intense excitement a hand-to-hand and foot-to-foot fight between two... more...

ACT ONE SCENE: A Room in the Church Tower. Window shutters at back wide open, starlit sky is seen through windows. Background: Snow covered house-roofs; gable windows in the distance brilliantly illuminated. In room an old chair, a fire-pan and a picture of the Virgin, with a lighted candle before it. Room is divided by posts—two in centre thick enough to conceal an adult. Chant, in unison, from the... more...

PREFACE Seldom does a book of poems appear that is definitely a response to demand and a reflection of readers' preferences. Of this collection that can properly be claimed. For a decade Normal instructor-primary plans has carried monthly a page entitled "Poems Our Readers Have Asked For." The interest in this page has been, and is, phenomenal. Occasionally space considerations or... more...

I The stage on which we play our little dramas of life and love has for most of us but one setting. It is furnished out with approximately the same things. Characters come, move about and make their final exits through long-familiar doors. And the back drop remains approximately the same from beginning to end. Palace or hovel, forest or sea, it is the background for the moving figures of the play. So... more...