PREFACE TO NEW IMPRESSION. When this book first appeared (1886), the philological school of interpretation of religion and myth, being then still powerful in England, was criticised and opposed by the author. In Science, as on the Turkish throne of old, "Amurath to Amurath succeeds"; the philological theories of religion and myth have now yielded to anthropological methods. The centre of the... more...

CHAPTER I Between the smoke-darkened walls of the mountain cabin still murmured the last echoes of the pistol's bellowing, and it seemed a voice of everlasting duration to the shock-sickened nerves of those within. First it had thundered with the deafening exaggeration of confined space, then its echo had beaten against the clay-chink wall timbers and rolled upward to the rafters. Now, dwindled to... more...

Every Sabbath morning in the summer time I thrust back the curtain, to watch the sunrise stealing down a steeple, which stands opposite my chamber-window. First, the weathercock begins to flash; then, a fainter lustre gives the spire an airy aspect; next it encroaches on the tower, and causes the index of the dial to glisten like gold, as it points to the gilded figure of the hour. Now, the loftiest... more...

PART I Suzanne Church almost never had to bother with the blue blazer these days. Back at the height of the dot-boom, she’d put on her business journalist drag—blazer, blue sailcloth shirt, khaki trousers, loafers—just about every day, putting in her obligatory appearances at splashy press-conferences for high-flying IPOs and mergers. These days, it was mostly work at home or one day a... more...

A FAIRY TALE. ADRIAN and Amaranthé were born in an old castle, that had once been the scene of splendour and festivity, but, together with the fortunes of its owners, had fallen very much into decay. Their parents, in proud resentment of the fancied neglect and ingratitude of the world, had lived retired in the only habitable part of it from the time of their birth, associating but little with the... more...

INTRODUCTION The following narrative, written over eighty years ago, and now at last given to the world in 1906, is remarkable in many respects. It is remarkable for its subject, for its style, and for its literary history. The subject—a deathbed scene—might seem at first sight to be a trite and common one. The mise-en-scène—the Field of Waterloo—alone however redeems it from such a charge;... more...

RENEWALS An alphabetical list under main headings (author, editor, compiler or title), of works in Class A for which the renewal copyright was registered during the period covered by this catalog. Joint authors, editors, etc., are represented by references leading to the respective main headings. Information relating to both the original and renewal registration is included in each entry. ABBOTT,... more...

FIRST MEMORY. Childhood has its secrets and its mysteries; but who can tell or who can explain them! We have all roamed through this silent wonder-wood—we have all once opened our eyes in blissful astonishment, as the beautiful reality of life overflowed our souls. We knew not where, or who, we were—the whole world was ours and we were the whole world's. That was an infinite life—without... more...

INTRODUCTION A Threefold Aim.—This book is based upon three theses—namely, first, that the monogamic, private, family is a priceless inheritance from the past and should be preserved; second, that in order to preserve it many of its inherited customs and mechanisms must be modified to suit new social demands; and third, that present day experimentation and idealistic effort already indicate certain... more...

I Because I believe that many do not understand the verse ofLichtenstein, do not correctly understand, do not clearly understand— II The first eighty poems are lyric. In the usual sense. They are not much different from poetry that praises gardens. The content is the distress of love, death, universal longing. The impulse to formulate them in the "cynical" vein (like cabaret songs) may, for... more...