June 8th.—I went this morning to the Uffizi gallery. The entrance is from the great court of the palace, which communicates with Lung' Arno at one end, and with the Grand Ducal Piazza at the other. The gallery is in the upper story of the palace, and in the vestibule are some busts of the princes and cardinals of the Medici family,—none of them beautiful, one or two so ugly as to be ludicrous,... more...

This little guy Stoddard was one of the toughest customers I'd ever done business with. To look at him you'd think he was typical of the mild pleasant little sort of suburban home owner who caught the eight-oh-two six days a week and watered the lawn on the seventh. Physically, his appearance was completely that of the inconspicuous average citizen. Baldish, fortiesh, bespectacled, with the... more...

CHAPTER I. THE BLOCK. On the east side of the block were four brownstone houses, wide, tall, and roomy. Seen from the street, they had the appearance of not being inhabited. In the upper stories, all the curtains or blinds were closely drawn. In the lower story, the heavy lace that hung in carefully careless folds on each side of the window, seemed never to have been disturbed since it left the... more...

Two Middies and a Monkey. “We’ve done wrong, Van. There’ll be a jolly row about it.” “Get out! What’s the good of talking now? You were as ready to have him as I was. Lie still, will you? or I’ll pitch you overboard.” Two middies talking in the stern-sheets of the cutter belonging to Her Majesty’s fast little cruiser Nautilus, stationed on the west coast of Africa “blackberrying,”... more...

I. One of the most consummate masters of the piano at the present time is Ignace Jan Paderewski. Those who were privileged to hear him during his first season in this country will never forget the experience. The Polish artist conquered the new world as he had conquered the old; his name became a household word, known from coast to coast; he traveled over our land, a Prince of Tones, everywhere... more...

THE VOICE IN THE FOG Out of the unromantic night, out of the somber blurring January fog, came a voice lifted in song, a soprano, rich, full and round, young, yet matured, sweet and mysterious as a night-bird's, haunting and elusive as the murmur of the sea in a shell: a lilt from La Fille de Madame Angot, a light opera long since forgotten in New York. Hillard, genuinely astonished, lowered his... more...

CHAPTER I. The Conflict Opens: Frontenac And Phips Many centuries of European history had been marked by war almost ceaseless between France and England when these two states first confronted each other in America. The conflict for the New World was but the continuation of an age-long antagonism in the Old, intensified now by the savagery of the wilderness and by new dreams of empire. There was another... more...

I. SHANGHAIED This is to be a story of a battle, at least one murder, and several sudden deaths. For that reason it begins with a pink tea and among the mingled odors of many delicate perfumes and the hale, frank smell of Caroline Testout roses. There had been a great number of debutantes "coming out" that season in San Francisco by means of afternoon teas, pink, lavender, and otherwise. This... more...

CHAPTER I. Burlesque—Parody—The "Splendid Shilling"—Prior—Pope—Ambrose Philips—Parodies of Gray's Elegy—Gay. Burlesque, that is comic imitation, comprises parody and caricature. The latter is a valuable addition to humorous narrative, as we see in the sketches of Gillray, Cruikshank and others. By itself it is not sufficiently suggestive and affords no story or conversation.... more...

'Twas on a frosty Christmas Eve When Peggy Deutchland woke From her wooden sleep On the counter steep And to her neighbour spoke, "Get up! get up, dear Sarah Jane! Now strikes the midnight hour, When dolls and toys Taste human joys, And revel in their power.     I long to try my limbs a bit, And you must walk with me; Our joints are good Though made of wood, And I pine for liberty. For... more...