THAT night Tom and Huck were ready for their adventure. They hung about the neighborhood of the tavern until after nine, one watching the alley at a distance and the other the tavern door. Nobody entered the alley or left it; nobody resembling the Spaniard entered or left the tavern door. The night promised to be a fair one; so Tom went home with the understanding that if a considerable degree of... more...

"Champ, what's with ya lately?" Benny asked the question as they lay on the beach. "Nothing," Frankie answered. "Just fight-nite miseries, I guess." "No it ain't, Frankie. It's something else. You losin' confidence in Milt? That it? Can't you hold it one more time? You guys only need tonite and you got it. One more to make Ten-Time Defenders—the... more...

CHAPTER I The Duomo I: Its Construction The City of the Miracle—The Marble Companions—Twilight andImmensity—Arnolfo di Cambio—Dante's seat—Ruskin's "Shepherd"—Giottothe various—Giotto's fun—The indomitable Brunelleschi—Makers ofFlorence—The present façade. All visitors to Florence make first for the Duomo. Let us do the same. The real name of the Duomo is the... more...

This is one of the three plays which Strindberg placed at the head of his dramatic production during the middle ultra-naturalistic period, the other two being "The Father" and "Miss Julia." It is, in many ways, one of the strongest he ever produced. Its rarely excelled unity of construction, its tremendous dramatic tension, and its wonderful psychological analysis combine to make it a... more...

FOREWORD. The object of this book is to suggest certain lines of thought as to the deep truths underlying Christianity, truths generally overlooked, and only too often denied. The generous wish to share with all what is precious, to spread broadcast priceless truths, to shut out none from the illumination of true knowledge, has resulted in a zeal without discretion that has vulgarised Christianity, and... more...

Through a haze of incense and altar smoke, Yat-Zar looked down from his golden throne at the end of the dusky, many-pillared temple. Yat-Zar was an idol, of gigantic size and extraordinarily good workmanship; he had three eyes, made of turquoises as big as doorknobs, and six arms. In his three right hands, from top to bottom, he held a sword with a flame-shaped blade, a jeweled object of vaguely... more...

INTRODUCTION The earliest form of painting was with colours ground in water. Egyptian artists three thousand years B.C. used this method, and various mediums, such as wax and mastic, were added as a fixative. It was what is now known as tempera painting. The Greeks acquired their knowledge of the art from the Egyptians, and later the Romans dispersed it throughout Europe. They probably introduced... more...

CHAPTER I—THE CRUSADERS IN EGYPT The Ideal of the Crusader: Saladin's Campaign: Richard I. in Palestine: Siege of Damietta: St. Louis in Egypt: The Mamluks: Beybars' Policy. The traditional history of the Christian Church has generally maintained that the Crusades were due solely to religious influence and sprang from ideal and moral motives: those hundreds of thousands of warriors who went... more...

THE TELEGRAM It was the great ball of the season at Fort Ellsworth. For a special reason it had begun unusually late; but, though the eighth dance was on, the great event of the evening had not happened yet. Until that should happen, the rest, charming though it might be, was a mere curtain-raiser to keep men amused before the first act of the play. The band of the —th was playing the "Merry... more...

In the future, we may discover new planets; our ships may rocket to new worlds; robots may be smarter than people. But we'll still have slick characters willing and able to turn a fast buck—even though they have to be smarter than Einstein to do it. Anson Drake sat quietly in the Flamebird Room of the Royal Gandyll Hotel, listening to the alien, but soothing strains of the native orchestra and... more...