CHAPTER I It was the writing guy who drew this story out of Captain Shreve. He talked so much I think the Old Man spun the yarn just to shut him up. He had talked ever since his arrival on board, early that morning, with a letter from the owners' agent, and the announcement he intended making the voyage with us. He had weak lungs, he said, and was in search of mild, tropical breezes. Also, he was... more...

The fine old house stood on Jumping Tom Hill, above the town. It had stood there before there was a town, when only a cabin or two fringed the woods below, nearer the shore. The weather boarding had been brought in ships from England, ready sawed; likewise the bricks of the chimney. Indians used to come to the house in the cold of winter, begging shelter. Given blankets, and food, and drink, they slept... more...

CHAPTER I A COLLISION IN THE FOG "Wow! Look at that one! That's a monster!" "That must be the ninth wave." "What do you mean by the ninth wave, Jack?" "Why, Arnold, don't you know that every third wave is bigger than the two preceding it and that every ninth wave is bigger than the preceding eight?" queried Jack Stanley. "No, can't say that I ever knew... more...

We Jolly Sailor Boys. “Come along, boys; look sharp! Here’s old Dishy coming.” “Hang old Dishipline; he’s always coming when he isn’t wanted. Tumble over.” We three lads, midshipmen on board HM clipper gunboat the Teaser, did “tumble over”—in other words, made our way down into the boat alongside—but not so quickly that the first lieutenant, Mr Reardon, who, from his slightly... more...

Of all kinds of satire, there is none so entertaining and universally improving, as that which is introduced, as it were occasionally, in the course of an interesting story, which brings every incident home to life, and by representing familiar scenes in an uncommon and amusing point of view, invests them with all the graces of novelty, while nature is appealed to in every particular. The reader... more...

In the sea story of Australia, from the days of Captain Phillip in 1788, to the end of the "fifties" in the present century, American ships and seamen have no little part. First they came into the harbour of Sydney Cove as traders carrying provisions for sale to the half-starved settlers, then as whalers, and before another thirty years had passed, the starry banner might be met with anywhere... more...

Chapter One. My Boy Audience. My name is Philip Forster, and I am now an old man. I reside in a quiet little village, that stands upon the sea-shore, at the bottom of a very large bay—one of the largest in our island. I have styled it a quiet village, and so it really is, though it boasts of being a seaport. There is a little pier or jetty of chiselled granite, alongside which you may usually observe... more...

THE MIND OF THE ARTIST An able painter by his power of penetration into the mysteries of his art is usually an able critic. Alfred Stevens. The Belgian painter, not the English sculptor. Art, like love, excludes all competition, and absorbs the man. Fuseli. A good painter has two chief objects to paint, namely, man, and the intention of his soul. The first is easy, the second difficult, because he has... more...

TheCities are full of pride,Challenging each to each—This from her mountain-side,That from her burthened beach.They count their ships full tale—Their corn and oil and wine,Derrick and loom and bale,And rampart's gun-flecked line;City by city they hail:"Hast aught to match with mine?"And the men that breed from themThey traffic up and down,But cling to their cities' hemAs a child to... more...

APOLOGIA IT may reasonably be asked by what authority a mere landsman publishes a book on a nautical subject. I may, therefore, plead in extenuation that I have all my life been closely connected with seafaring matters, especially during childhood and youth, and have literally 'grown up with' shanties. My maternal ancestors followed the sea as far back as the family history can be traced, and... more...