REMINISCENCES OF TOLSTOY (Part I.) IN one of his letters to his great-aunt, Alexandra Andreyevna Tolstoy, my father gives the following description of his children: The eldest [Sergei] is fair-haired and good-looking; there is something weak and patient in his expression, and very gentle. His laugh is not infectious; but when he cries, I can hardly refrain from crying, too. Every one says he is like my... more...

ARTIST AND PUBLIC In the history of art, as in the history of politics and in the history of economics, our modern epoch is marked off from all preceding epochs by one great event, the French Revolution. Fragonard, who survived that Revolution to lose himself in a new and strange world, is the last at the old masters; David, some sixteen years his junior, is the first of the moderns. Now if we look for... more...

                          DIARY OF SAMUEL PEPYS.                              MARCH & APRIL                                1665-1666 March 1st. Up, and to the office and there all the morning sitting and at noon to dinner with my Lord Bruncker, Sir W. Batten and Sir W. Pen at the White Horse in Lumbard Streete,... more...

Chapter 41 The Metropolis of the South THE approaches to New Orleans were familiar; general aspects were unchanged. When one goes flying through London along a railway propped in the air on tall arches, he may inspect miles of upper bedrooms through the open windows, but the lower half of the houses is under his level and out of sight. Similarly, in high-river stage, in the New Orleans region, the... more...

                          DIARY OF SAMUEL PEPYS.                                DECEMBER                                  1667 December 1st (Lord's day). Up, and after entering my journal for 2 or 3 days, I to church, where Mr. Mills, a dull sermon: and in our pew there sat a great lady, which I afterwards... more...

THIS exhibition has been arranged with a desire to meet the convenience of those who are interested in manifestations of the arts of different countries over which Islam held sway at one time or other in the past. An effort has been made to show under one roof representative examples of works produced at different epochs and stages of the civilizations referred to, so that they may be seen, and perhaps... more...

What is a Good Edition? A good edition should be a complete edition, ungarbled and unabridged. If the author is a classic, the format of the copy chosen should in some way represent the style of the author. Gibbon, for instance, should be in large octavo or quarto, with print of a size to correspond. This is not always possible, for English editions of books often aim at mere cheapness, and of many... more...

CHAPTER I When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. Her father had... more...

'The first poetess I can recollect is Mrs. Barbauld, with whose works I became acquainted—before those of any other author, male or female—when I was learning to spell words of one syllable in her story-books for children.' So says Hazlitt in his lectures on living poets. He goes on to call her a very pretty poetess, strewing flowers of poesy as she goes. The writer must needs, from the... more...

CHAPTER I ART AND THE DRAMA I always agree with that man who said, “Let me make the nation’s songs and I care not who frames her laws,” or words to that effect, for, in my opinion, nothing so well indicates national character or so keenly accentuates the difference between individuals and nations as the way in which they spend their leisure hours; and the theatres of Japan are thoroughly typical... more...