A WOMAN IN BROWN A tall, well-favoured youth, coming from the farther South, boarded the train for Richmond one raw, gusty morning. He carried his left arm stiffly, his face was thin and brown, and his dingy uniform had holes in it, some made by bullets; but his air and manner were happy, as if, escaped from danger and hardships, he rode on his way to pleasure and ease. He sat for a time gazing out of... more...

THREE ELEPHANT POWER "Them things," said Alfred the chauffeur, tapping the speed indicator with his fingers, "them things are all right for the police. But, Lord, you can fix 'em up if you want to. Did you ever hear about Henery, that used to drive for old John Bull—about Henery and the elephant?" Alfred was chauffeur to a friend of mine who owned a very powerful car. Alfred was... more...

INTRODUCTION A long list of works Gertrude Atherton has to her credit as a writer. She is indisputably a woman of genius. Not that her genius is distinctively feminine, though she is in matters historical a passionate partisan. Most of the critics who approve her work agree that in the main she views life with somewhat of the masculine spirit of liberality. She is as much the realist as one can be who... more...

My dear Maurice, It was in Normandy, you will remember, and in the heat of the year, when the birds were silent in the trees and the apples nearly ripe, with the sun above us already of a stronger kind, and a somnolence within and without, that it was determined among us (the jolly company!) that I should write upon Nothing, and upon all that is cognate to Nothing, a task not yet attempted since the... more...

INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps... more...

LETTER XIX. May 19. Dear E.:— This letter I consecrate to you, because I know that the persons and things to be introduced into it will most particularly be appreciated by you. In your evening reading circles, Macaulay, Sidney Smith, and Milman have long been such familiar names that you will be glad to go with me over all the scenes of my morning breakfast at Sir Charles Trevelyan's yesterday.... more...

The Pithecanthropus Silent as the shadows through which he moved, the great beast slunk through the midnight jungle, his yellow-green eyes round and staring, his sinewy tail undulating behind him, his head lowered and flattened, and every muscle vibrant to the thrill of the hunt. The jungle moon dappled an occasional clearing which the great cat was always careful to avoid. Though he moved through... more...

MQuarrie, the City Editor, looked up as I entered his office. "Bond," he asked, "do you know Jim Carpenter?" "I know him slightly," I replied cautiously. "I have met him several times and I interviewed him some years ago when he improved the Hadley rocket motor. I can't claim a very extensive acquaintance with him." "I thought you knew him well. It is a surprise... more...

PREFACE Romances of the future, however fantastic they may be, have for most of us a perennial if mild interest, since they are born of a very common feeling—a sense of dissatisfaction with the existing order of things, combined with a vague faith in or hope of a better one to come. The picture put before us is false; we knew it would be false before looking at it, since we cannot imagine what is... more...

SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter... more...