When, in 1810, Franz Joseph Gall said: “The measure of culpability and the measure of punishment can not be determined by a study of the illegal act, but only by a study of the individual committing it,” he expressed an idea which has, in late years, come to be regarded as a trite truism. This called forth as an unavoidable consequence a more lively interest on the part of various social agencies... more...

The Mind of Jesus! What a study is this! To attain a dim reflection of it, is the ambition of angels—higher they can not soar. “To be conformed to the image of His Son!”—it is the end of God in the predestination of His Church from all eternity. “We shall be like Him!”—it is the Bible picture of heaven! In a former little volume, we pondered some of the gracious Words which proceeded out... more...

For nearly one hundred years this curious problem has exercised the imagination of writers of fiction—and of drama, and the patience of the learned in history. No subject is more obscure and elusive, and none more attractive to the general mind. It is a legend to the meaning of which none can find the key and yet in which everyone believes. Involuntarily we feel pity at the thought of that long... more...

CHAPTER I The one opened the door with a latch-key and went in, followed by a young fellow who awkwardly removed his cap.  He wore rough clothes that smacked of the sea, and he was manifestly out of place in the spacious hall in which he found himself.  He did not know what to do with his cap, and was stuffing it into his coat pocket when the other took it from him.  The act was done quietly and... more...

POOR DEAR MAMMA The wild hawk to the wind-swept sky, The deer to the wholesome wold, And the heart of a man to the heart of a maid, As it was in the days of old. Gypsy Song. SCENE.—Interior of Miss MINNIE THREEGAN'S Bedroom at Simla. Miss THREEGAN, in window-seat, turning over a drawerful of things. Miss EMMA DEERCOURT, bosom—friend, who has come to spend the day, sitting on the bed,... more...

THE ART OF WARFARE "The Art of War, like every other art, possesses its theory, its principles; otherwise, it would not be an art."—MARSHAL FOCH. The Art of War, like any other art, is based upon certain fixed principles, and there is no short cut which hurries the student to his goal. The long and laborious line of study is the only safe way, and there are many pitfalls to be avoided on the... more...

CHAPTER I.—INFLUENCE OF CHARACTER. "Unless above himself he can Erect himself, how poor a thingis man"—DANIEL. "Character is moral order seen through the medium, of anindividual nature.... Men of character are the conscience ofthe society to which they belong."—EMERSON. "The prosperity of a country depends, not on the abundanceof its revenues, nor on the strength of its... more...

SCENE I. MILLER—MRS. MILLER. MILLER (walking quickly up and down the room). Once for all! The affair is becoming serious. My daughter and the baron will soon be the town-talk—my house lose its character—the president will get wind of it, and—the short and long of the matter is, I'll show the younker the door. MRS MILLER. You did not entice him to your house—did not thrust your daughter... more...

THE QUEEN OF SHEBA I MARY In the month of June, 1872, Mr. Edward Lynde, the assistant cashier and bookkeeper of the Nautilus Bank at Rivermouth, found himself in a position to execute a plan which he had long meditated in secret. A statement like this at the present time, when integrity in a place of trust has become almost an anomaly, immediately suggests a defalcation; but Mr. Lynde's plan... more...

CHAPTER I. ANCESTRY, PARENTAGE, AND CHILDHOOD. Sir Walter Scott was the first literary man of a great riding, sporting, and fighting clan. Indeed, his father—a Writer to the Signet, or Edinburgh solicitor—was the first of his race to adopt a town life and a sedentary profession. Sir Walter was the lineal descendant—six generations removed—of that Walter Scott commemorated in The Lay of the Last... more...