Act I Scene 1 [An old park with avenues of trees leading away in all directions. Directly in background of stage there is a sheet of water fringed by willow and poplar trees. On the right and left is a high box hedge formed in curves with the top clipped in grotesque shapes mostly of birds. A statue is placed in the centre of each hedge, and beneath the statues are seats. When the curtain rises several... more...

If my friend the engineer had not told me the Tube was dangerous, I would not have bought a ticket on that fatal night, and the world would never have learned the story of the Golden Cavern and the City of the Dead. Having therefore, according to universal custom, first made my report as the sole survivor of the much-discussed Undersea Tube disaster to the International Committee for the Investigation... more...

INTRODUCTORY NOTES The author in this work endeavours to solve the greatest scientific problem that has puzzled scientists for the past two hundred years. The question has arisen over and over again, since the discovery of universal gravitation by Sir Isaac Newton, as to what is the physical cause of the attraction of gravitation. “Action at a distance” has long ceased to be recognized as a... more...

1. The Schedule of a Party sets out the reservations taken by that Party, pursuant to Articles 1108(1) and 1206(2), with respect to existing, non-conforming measures that derogate from an obligation relating to:      (a) national treatment, pursuant to Article 1102 (Investment) or 1202 (Services);      (b) most-favored-nation treatment, pursuant to Article 1103 (Investment) or 1203... more...

The Castle of the Shadows WHERE DREAMLAND BEGAN According to the calendar it was winter; but between Mentone and the frontier town of Ventimiglia, on the white road inlaid like a strip of ivory on dark rocks above the sapphire of the Mediterranean, it was fierce summer in the sunshine. A girl riding between two men, reined in her chestnut mare at a cross-road which led into the jade-green twilight of... more...

"It's a dead world," Thompson spoke. There was awe in his voice, and in spite of his sure knowledge that nothing could happen to him or to his crew here on this world, there was also somewhere inside of him the trace of a beginning fear. Standing beside him on the rooftop of the building, Kurkil spoke in a whisper, asking a question that had been better unasked. "What killed it?"... more...

CHAPTER I BIBLICAL OPERAS Whether or not the English owe a grudge to their Lord Chamberlain for depriving them of the pleasure of seeing operas based on Biblical stories I do not know. If they do, the grudge cannot be a deep one, for it is a long time since Biblical operas were in vogue, and in the case of the very few survivals it has been easy to solve the difficulty and salve the conscience of the... more...

Towards the close of the First French Revolution, Joseph Leopold SigisbertHugo, son of a joiner at Nancy, and an officer risen from the ranks in theRepublican army, married Sophie Trébuchet, daughter of a Nantes fitter-outof privateers, a Vendean royalist and devotee. Victor Marie Hugo, their second son, was born on the 26th of February, 1802, at Besançon, France. Though a weakling, he was carried,... more...

PROLOGUE. The girl came into the room with a darting movement like a swallow, looked round her with the same birdlike quickness, and then ran across the polished floor to where a young man sat on a sofa with one leg laid along it. "I have saved you this dance, Quentin," she said, pronouncing the name with a pretty staccato. "You must be lonely not dancing, so I will sit with you. What shall... more...

ACT I. SCENE I.—LIEUTENANT O'CONNOR's Lodgings. Enter SERJEANT TROUNCE, CORPORAL FLINT, and four SOLDIERS. 1 Sol. I say you are wrong; we should all speak together, each for himself, and all at once, that we may be heard the better. 2 Sol. Right, Jack, we'll argue in platoons. 3 Sol. Ay, ay, let him have our grievances in a volley, and if we be to have a spokesman, there's the... more...