Concerning Mont St Michel So, when their feet were planted on the plainThat broaden'd toward the base of Camelot,Far off they saw the silver-misty mornRolling her smoke about the Royal mount,That rose between the forest and the field.At times the summit of the high city flash'd;At times the spires and turrets half-way downPricked through the mist; at times the great gate shoneOnly, that... more...

ACT I (SCENE.—A large room looking upon a garden door in the left-hand wall, and two in the right. In the middle of the room, a round table with chairs set about it, and books, magazines and newspapers upon it. In the foreground on the left, a window, by which is a small sofa with a work-table in front of it. At the back the room opens into a conservatory rather smaller than the room. From the... more...

A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...

I think, therefore I am. That was the first thought I had. Of course not in the same symbols, but with the same meaning. I awakened, or came alive, or came into existence suddenly, at least my mental consciousness did. "Here am I," I thought, "but what am I, why am I, where am I?" I had nothing to work with except pure reason. I was there because I was not somewhere else. I was certain... more...

ACT I. Scene: Within the tent of Menones, on the plain before Nineveh. Left, centre, entrance to tent from the plain. Curtains rear, forming partition with exits right and left of centre. The same at right, with one exit, centre. Couch rear, between exits. From a tent-pole near exit, right centre, hang helmet and a suit of chain armor. Sola parts curtains rear, left, and looks out, showing effort to... more...

BILL THE BLOODHOUND There's a divinity that shapes our ends. Consider the case of HenryPifield Rice, detective. I must explain Henry early, to avoid disappointment. If I simply said he was a detective, and let it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International... more...

PROLOGUE I 'Ah, what a thing it would be for us if his Inca Highness were really only asleep, as he looks to be! Just think what he could tell us—how easily he could re-create that lost wonderland of his for us, what riddles he could answer, what lies he could contradict. And then think of all the lost treasures that he could show us the way to. Upon my word, if Mephistopheles were to walk into... more...

CHAPTER I Once upon a time, more years ago than anybody can remember, before the first hotel had been built or the first Englishman had taken a photograph of Mont Blanc and brought it home to be pasted in an album and shown after tea to his envious friends, Switzerland belonged to the Emperor of Austria, to do what he liked with. One of the first things the Emperor did was to send his friend Hermann... more...

SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy... more...

They caught up with him in Belgrade. The aliens had gone by then, only a few shining metal huts in the Siberian tundra giving mute evidence that they had been anything other than a nightmare. It had seemed exactly like that. A nightmare in which all of Earth stood helpless, unable to resist or flee, while the obscene shapes slithered and flopped over all her green fields and fair cities. And the... more...