BILL THE BLOODHOUND There's a divinity that shapes our ends. Consider the case of HenryPifield Rice, detective. I must explain Henry early, to avoid disappointment. If I simply said he was a detective, and let it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International... more...

PROLOGUE I 'Ah, what a thing it would be for us if his Inca Highness were really only asleep, as he looks to be! Just think what he could tell us—how easily he could re-create that lost wonderland of his for us, what riddles he could answer, what lies he could contradict. And then think of all the lost treasures that he could show us the way to. Upon my word, if Mephistopheles were to walk into... more...

CHAPTER I CHOOSING A PLACE TO LIVE Blessed indeed are they who are free to choose where and how they shall live. Still more blessed are they who give abundant thought to their choice, for they may not wear the sackcloth of discomfort nor scatter the ashes of burned money. Most of us have a theory of what the home should be, but it is stowed away with the wedding gifts of fine linen that are cherished... more...

SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy... more...

They caught up with him in Belgrade. The aliens had gone by then, only a few shining metal huts in the Siberian tundra giving mute evidence that they had been anything other than a nightmare. It had seemed exactly like that. A nightmare in which all of Earth stood helpless, unable to resist or flee, while the obscene shapes slithered and flopped over all her green fields and fair cities. And the... more...

CHAPTER I. THE DESERT PAMPAS. During recent years we have heard much about the great and rapid changes now going on in the plants and animals of all the temperate regions of the globe colonized by Europeans. These changes, if taken merely as evidence of material progress, must be a matter of rejoicing to those who are satisfied, and more than satisfied, with our system of civilization, or method of... more...

I. There is not in all Paris a house better kept or more inviting-looking than No. 23 in Grange Street. As soon as you enter, you are struck by a minute, extreme neatness, which reminds you of Holland, and almost sets you a-laughing. The neighbors might use the brass plate on the door as a mirror to shave in; the stone floor is polished till it shines; and the woodwork of the staircase is varnished to... more...

Paris: 1783. “Coward! Coward! Coward!” The words rang out, clear, strident, passionate, in a crescendo of agonised humiliation. The boy, quivering with rage, had sprung to his feet, and, losing his balance, he fell forward clutching at the table, whilst with a convulsive movement of the lids, he tried in vain to suppress the tears of shame which were blinding him. “Coward!” He tried to shout... more...

Act I Scene 1 [An old park with avenues of trees leading away in all directions. Directly in background of stage there is a sheet of water fringed by willow and poplar trees. On the right and left is a high box hedge formed in curves with the top clipped in grotesque shapes mostly of birds. A statue is placed in the centre of each hedge, and beneath the statues are seats. When the curtain rises several... more...

If my friend the engineer had not told me the Tube was dangerous, I would not have bought a ticket on that fatal night, and the world would never have learned the story of the Golden Cavern and the City of the Dead. Having therefore, according to universal custom, first made my report as the sole survivor of the much-discussed Undersea Tube disaster to the International Committee for the Investigation... more...